Julian Priester, trombone
Andrew Cyrille, drums
David Haney, piano
Adam Lane, bass
October 20th, 2018
JAZZ AT KITANO
66 PARK AVE (E.38 ST)
NEW YORK, NY.
SHOWS 8 PM & 10 PM
Cover $34.+ $20 minimum Food/Bev
RESERVATIONS HIGHLY ADVISED
212 885 7119
THE MUSIC OF HERBIE NICHOLS:
a night dedicated to the beautiful and exotic tunes of the great 50's pianist and composer.
Jazz at Kitano's presents trombone legend Julian Priester in a rare New York performance with the drumming great Andrew Cyrille, pianist David Haney, and bassist Adam Lane. Check out this fantastic quartet playing the music of 50's hard bop master Herbie Nichols.
A RARE CHANCE TO SEE JULIAN PRIESTER IN AN INTIMATE SETTING.
Born in Chicago on June 29 1935, Julian Priester spent his teenage years performing in Chicago's vibrant RnB scene with artists such as Muddy Waters, Dinah Washington and Bo Diddley. In the mid-50s he joined Sun Ra's groundbreaking avant-garde big band. In 1958 Julian split for New York where he joined Max Roach while Roach was involved in recordings such as Freedom Now Suite, an album that combines jazz improvisation with concert hall composition.
In 1960 Priester made his first recordings as a band leader and then joined the Blue Note label as an in-demand session trombonist. While with Blue Note he recorded with Freddie Hubbard, McCoy Tyner, Sam Rivers, John Coltrane and others. In the early 70s Julian joined Herbie Hancock's legendary Sextet which combined spacey avant jazz with electronics and psychedic studio production. Splitting from Hancock in 73, Priester continued this style of progressive jazz fusion with two recordings of his own on the ECM label.
In the 80s and 90s Priester worked with Sun Ra's band again, as well as Dave Holland, Charlie Haden and others. In the late 90s he began to record under his own name again, and continues to do so to this day.
(n.Brooklyn, NY) studied at Julliard and. Hartnett schools of music emerging to professional gigs. with such noted legends as Mary Lou Williams, and. Coleman Hawkins.
He joined the Cecil Taylor unit in 1964, and stayed for about 10 years, eventually performing drum duos with Milford Graves. In addition to recording as a bandleader, he has recorded and/or performed with musicians such as David Murray, Irène Schweizer, Marilyn Crispell, Carla Bley, Butch Morris and Reggie Workman among others. Cyrille is currently a member of the group, Trio 3, with Oliver Lake and Reggie Workman.
"A great drummer; a fine writer; and a wonderful bandleader; you pass him by at your peril."–The Penguin Guide to Jazz
Haney studied composition for six years with Czech composer, Tomas Svoboda and presented works with the Society of Oregon Composers, Haney has worked with such featured artists as Andrew Cyrille, Roswell Rudd, John Tchicai, Bud Shank, Bernard Purdie, Buell Neidlinger, Julian Priester, Han Bennink, Obo Addy, Wilbert de Joode, Gerry Hemingway, Wolter Weirbos, Perry Robinson, and Johannes Bauer. Haney has recorded 14 albums for C.I.M.P. Records and Cadence Jazz Records . David has also collaborated on 14 albums on other labels worldwide. He has received grants and commissions for his creative work from the U.S. State Department; Alberta Film Works; and the Oregon Ballet Theatre. Haney was awarded a travel grant from the U.S. State Department to present the music of composer Herbie Nichols in concerts throughout Argentina and Chile. Haney's piano/trombone work Ota Benga of the Batwa was included in the critics pick for best Jazz Album of 2007 (Coda Magazine). “Conspiracy a go go" and "Clandestine" were both selected Top Ten Jazz Albums of 2009 (Cadence Magazine). David’s current release “Solo” received top ten honors in 2014 (Cadence Magazine). The Penguin Guide to Jazz has a half page entry on several David Haney albums.
By combining a disparate set of influences into a unique improvisational voice, Adam Lane has become recognized as one of the most original creative voices in contemporary jazz. His 2006 recording New Magical Kingdom, was recently featured in the Penguin Jazz Guide 1001 Best Records Ever Made, and his most recent recording, Ashcan Ranting received a myriad of critical praise including four stars in Downbeat.
“Lane’s music is genuine, accessible, fun. The music is deeply in touch with the essential pleasures of earwig-worthy tunes, fat bluesy grooves, and sheer tonal beauty.” (Downbeat Jan 2011)
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