Great Stories, Great Music – New York Jazz Stories combines swinging, electrifying music, featuring drum legend Andrew Cyrille and company along with some highly entertaining stories retold by David Haney. These are real stories told directly to Haney, transcribed and brought to life with a sound track by Andrew Cyrille, bassist Adam Lane and friends.
Andrew Cyrille, (born.Brooklyn, NY) studied at Julliard and. Hartnett schools of music emerging to professional gigs. with such noted legends as Mary Lou Williams, and. Coleman Hawkins. He joined the Cecil Taylor unit in 1964, and stayed for about 10 years, eventually performing drum duos with Milford Graves. In addition to recording as a bandleader, he has recorded and/or performed with musicians such as David Murray, Irène Schweizer, Marilyn Crispell, Carla Bley, Butch Morris and Reggie Workman among others. Cyrille is currently a member of the group, Trio 3, with Oliver Lake and Reggie Workman. Andrew has two new albums of ECM.
"A great drummer; a fine writer; and a wonderful bandleader; you pass him by at your peril."–The Penguin Guide to Jazz
DAVID HANEY studied composition with Czech American composer Tomas Svoboda and piano with jazz pianist Eddie Wied. As music editor for Cadence Magazine, David interviewed over 60 jazz artists for the Jazz Stories project. The following artists have worked and recorded with David: Roswell Rudd, Julian Priester, John Tchicai, Steve Swell, Roy Campbell, Bud Shank, Wolter Weirbos, Han Bennink, Andrew Cyrille, Bernard Purdie, Marvin Bugulu Smith, Gerry Hemingway, Dylan Van de Schiff, Buell Neidlinger, Dominic Duval, Adam Lane, Michael Bisio, Paul Blaney, Perry Robinson, Johannes Bauer. As a leader, Haney has over 20 albums on CIMP-USA, Cadence-USA, SLAM-UK, NoSe-So-Argentina, La Gorda- Argentina, Canada Jazz Studio-Canada and ZZZ (France)
By combining a disparate set of influences into a unique improvisational voice, Adam Lane has become recognized as one of the most original creative voices in contemporary jazz. His 2006 recording New Magical Kingdom, was recently featured in the Penguin Jazz Guide 1001 Best Records Ever Made, and his most recent recording, Ashcan Ranting received a myriad of critical praise including four stars in Downbeat.
“Lane’s music is genuine, accessible, fun. The music is deeply in touch with the essential pleasures of earwig-worthy tunes, fat bluesy grooves, and sheer tonal