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Retro-jazz Vocalist Laura Ainsworth Wraps Award-Winning Year with Japan Distro Deal

Retro-jazz Vocalist Laura Ainsworth Wraps Award-Winning Year with Japan Distro Deal


November 5, 2019

To: Listings/Critics/Features
From: Jazz Promo Services

Retro-jazz Vocalist Laura Ainsworth Wraps Award-Winning Year with Japan Distro Deal


Retro-jazz vocalist Laura Ainsworth has made it her mission to revitalize and reshape 20th century cocktail/lounge jazz for the 21st century, and this was the year when her efforts began bearing fruit worldwide. 


Her third album, “New Vintage,” scored multiple indie music awards and nominations, “Year’s Best” honors from top radio shows and podcasts such as “Cocktail Nation,” a profile in Downbeat, and a performance on TBN’s “Huckabee” series. On November 9th, she’ll host the pre-show for the Artists Music Guild Heritage Awards at historic Ovens Auditorium in Charlotte, NC, and is again nominated in two categories.  This follows her unprecedented sweep of last year’s AMG Awards, hosted by Thelma Houston. Ainsworth admits even she was stunned to win for Album, Video and Female Vocalist of the Year:


“Cocktail jazz is a niche of a niche, and I was up against much more commercial genres, such as country and gospel. But the AMGs are chosen by industry pros based solely on the quality of music submitted, not fame or major label backing. I never expected to win, so I didn’t prepare an acceptance speech, much less three! By the third win, I was just babbling that I was thrilled people like old school jazz this much, and I thanked Julie London.”  


Ainsworth also spread her fresh take on retro jazz to new markets in 2019, landing a distribution deal in Japan for her dream project, a best-of vinyl LP, “Top Shelf,” after scoring rave reviews and press in several major Japanese jazz magazines.  She said, “In Japan, there are many fans of this kind of music, and great musicians keeping it alive and growing.  I can’t wait to perform there with them.”   


This kind of music is literally in her DNA.  Her late father, Billy Ainsworth (from whom she inherited her perfect pitch), was a sax and clarinet prodigy hired at age 17 by Tommy Dorsey in the waning big band days. Years later, she grew up watching him lead commercial jingle singing sessions by day and back showroom legends such as Tony Bennett and Mel Torme by night.  


With three albums so far on her own Eclectus Records label (“Keep It To Yourself,”  and “New Vintage”, she has amassed worldwide airplay and glowing reviews for her pre-bop vocal style and smooth, three-octave voice that’s drawn comparisons to early Rosemary Clooney and Dinah Shore (the Dallas Voice described it as “a satiny ribbon that seems to flow as an uninterrupted river of downbeats.”) All her albums are created with her longtime musical partner, jazz pianist/arranger/producer Brian Piper, and feature some of the top jazz players in North Texas.


Ainsworth’s stock in trade is shaking up a cocktail of old and new styles to blow the dust off of standards and give new life to long-forgotten gems, like the early Frank Loesser song, “That’s How I Got My Start,” that kicks off “New Vintage” (and won the AMG Award for its film noir-inspired video.) She also gave the Harold Arlen/Johnny Mercer standard “Out of This World” an exotica makeover, and turned an outdated ‘70s blues/rock tune by Shel Silverstein into “I Once Knew a Fella,” a hilarious and sexy female empowerment romp with a wild sax-led arrangement inspired by her dad’s former bandmate, Sam Butera of Louis Prima/Vegas lounge fame.  


Rather than replicating old styles verbatim (“It was done perfectly the first time, so what’s the point?”), Ainsworth is inspired by the classic 1950s albums in which Frank Sinatra and Ella Fitzgerald did their own unique, then-contemporary reinventions of old tunes from the ‘20s and ‘30s. She’s also started recording her own compositions, like the award-nominated “The Man I Love Is Gone.” She said, “The highest praise is when someone mistakes it for one of the lost 1940s-‘50s songs I usually record.”     


One of her AMG nominations this year is for Video of the Year for “Where Did the Magic Go,” from “New Vintage,” a song originally recorded by Tony Bennett as a nostalgic look back at the entertainment era he’d lived through, of Ellington and Basie, Ella Fitzgerald and Fred Astaire. Ainsworth transformed it into a younger singer’s longing for a return to that era of grace, wit and sophistication. 


She said, “I believe that right now, people of all ages desperately need a shot of ‘new vintage’ to bring back elegance and romance. I consider that song my mission statement!”   


To find Laura’s albums and videos, read more and follow her on social media, visit http://www.lauraainsworth.com

For media inquiries, contact webmaster@lauraainsworth.com


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