Israel and Newbreed, Covered: Alive Is Asia” [Live] (Deluxe)
Contemporary Christian Music Album
“This Is Not a Test,” Tobymac
Roots Gospel Album
“Still Rockin’ My Soul,” The Fairfield Four
Latin Pop Album
“A Quien Quiera Escuchar (Deluxe Edition),” Ricky Martin
Latin Rock, Urban or Alternative Album
“Hasta La Raíz,” Natalia Lafourcade
“Dale,” Pitbull (TIE)
Regional Mexican Music Album (Including Tejano)
“Realidades — Deluxe Edition,” Los Tigres Del Norte
Tropical Latin Album
“Son De Panamá,” Rubén Blades With Roberto Delgado and Orchestra
American Roots Performance
“See That My Grave Is Kept Clean,” Mavis Staples
American Roots Song
“24 Frames,” Jason Isbell (Jason Isbell)
Americana Album
“Something More Than Free,” Jason Isbell
Bluegrass Album
“The Muscle Shoals Recordings,” The Steeldrivers
Best Blues Album
“Born to Play Guitar,” Buddy Guy
Folk Album
“Béla Fleck and Abigail Washburn,” Béla Fleck and Abigail Washburn
Regional Roots Music Album
“Go Go Juice,” Jon Cleary
Reggae Album
“Strictly Roots,” Morgan Heritage
World Music Album
“Sings,” Angelique Kidjo
Children’s Album
“Home,” Tim Kubart
Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
“A Full Life: Reflections at Ninety,” Jimmy Carter
Comedy Album
“Live at Madison Square Garden,” Louis C.K.
Compilation Soundtrack for Visual Media
“Glen Campbell: I’ll Be Me,” Julian Raymond, compilation producer
Score Soundtrack for Visual Media
“Birdman,” Antonio Sanchez, composer
Song for Visual Media
“Glory,” from “Selma,” Lonnie Lynn, Che Smith and John Stephens (Common & John Legend)
Instrumental Composition
“The Afro Latin Jazz Suite,” Arturo O’Farrill (Arturo O’Farrill and the Afro Latin Jazz Orchestra, featuring Rudresh Mahanthappa)
Arrangement, Instrumental or a Cappella
“Dance of the Sugar Plum Fairy,” Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstin Maldonado and Kevin Olusola (Pentatonix)
Arrangement, Instruments and Vocals
“Sue (Or in a Season of Crime),” Maria Schneider (David Bowie)
Recording Package
“Still The King: Celebrating the Music of Bob Wills and His Texas Playboys,” Sarah Dodds, Shauna Dodds and Dick Reeves, art directors (Asleep at the Wheel)
Boxed or Special Limited Edition Package
“The Rise & Fall Of Paramount Records, Volume Two (1928-32),” Susan Archie, Dean Blackwood and Jack White, art directors (Various Artists)
Album Notes
“Love Has Many Faces: A Quartet, a Ballet, Waiting to Be Danced,” Joni Mitchell (Joni Mitchell)
Historical Album
“The Basement Tapes Complete: The Bootleg Series Vol. 11,” Steve Berkowitz, Jan Haust and Jeff Rosen, compilation producers; Peter J. Moore & Mark Wilder, mastering engineers (Bob Dylan and the Band)
“Uptown Funk (Dave Audé Remix),” Dave Audé, (Mark Ronson, featuring Bruno Mars)
Producer of the Year, Non-Classical
Jeff Bhasker
Surround Sound Album
“Amused To Death,” James Guthrie, surround mix engineer; James Guthrie and Joel Plante, surround mastering engineers; James Guthrie, surround producer (Roger Waters)
Engineered Album, Classical
“Ask Your Mama,” Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum and Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan and San Francisco Ballet Orchestra)
Producer of the Year, Classical
Judith Sherman
Orchestral Performance
“Shostakovich: Under Stalin’s Shadow — Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra)
Opera Recording
“Ravel: L’Enfant Et Les Sortilèges; Shéhérazade,” Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus and SKF Matsumoto Children’s Chorus)
Choral Performance
“Rachmaninoff: All-Night Vigil,” Charles Bruffy, conductor (Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor & Joseph Warner; Kansas City Chorale & Phoenix Chorale)
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He has helped me with everything from advertising gigs, setting up ads, contact information, contacting labels and media, producing my own CDs, distribution, and other invaluable advice. His passion for what he does helps keep me on a positive attitude when the business side of things seems bleak at times.
I am quite sure I would not have been able to achieve the success that I have over the last 13 years if it wasn’t for the expertise, hard work, and guidance of Jim Eigo and Jazz Promo Services.