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Jazz On Track: Clark Terry At His Best | Leonard Maltin

Jazz On Track: Clark Terry At His Best | Leonard Maltin


Jazz On Track: Clark Terry At His Best

Leonard MaltinBy Leonard Maltin | Leonard Maltin February 23, 2015 at 8:28PM

Keep on Keepin' On

Photo Courtesy of RADiUS-TW

One of my favorite documentaries of 2014 didn’t make it to the Oscars, but that doesn’t dim its luster in my eyes: Keep On Keepin’ On is a beautiful film and its soundtrack is being released today by Varèse Sarabande. That happy occasion is made bittersweet by the news that the movie’s subject, jazz trumpet great Clark Terry, passed away on Saturday at the age of 94. The documentary candidly chronicles his declining health over the past few years, but Terry never lost his zest for life or his drive to encourage young musicians.

The movie focuses on the extraordinary friendship between Terry and a brilliant young pianist named Justin Kauflin, who is blind. They met when Justin was a teenager attending William Paterson University in New Jersey, where Terry (then in his late 80s) was holding master classes. The veteran and the novice formed an unshakable bond, and that’s what makes the film so moving. 

Clark Terry Jazz

When she joined the project, producer Paula DuPré Pesmen encouraged first-time filmmaker Alan Hicks not to make this a “jazz documentary” but to focus on the relationship between these two gifted people, and how they fueled each other’s spirits through good times and bad. As a result, while there are many great film and video clips of Terry and Kauflin in performance, they are tantalizingly brief. That’s why I’m so glad there is now a soundtrack, where we can hear the entirety of Clark’s breathtaking rendition of “Stardust,” his participation in Duke Ellington’s “Harlem Air Shaft,” and three unforgettable tracks with the Oscar Peterson Trio, including my all-time favorite, “Brotherhood of Man,” along with Clark’s signature “Mumbles” routine.

Album cover-Keep on Keepin' On

The album includes some poignant pieces of dialogue with the trumpeter and his protégé and several examples of the fine young pianist at work. Pianist-composer-arranger Dave Grusin appears on several cuts. He was brought on by the film’s executive producer, Clark Terry’s onetime student and lifelong friend Quincy Jones.

Producer Pesmen’s advice to her tyro director was sound. Even people who don’t especially care for jazz—including my wife and my students at USC—have responded strongly to the film. Several of my students told me they were going to seek out Clark Terry’s music after being exposed to it in this context. Now they can easily do just that…and so can you. 

Incidentally, you can now rent or purchase the film online HERE, as well as the soundtrack. 


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