Specializing in Media Campaigns for the Music Community, Artists, Labels, Venues and Events

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Will’s New York Nite Life

Will’s New York Nite Life


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November 4, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Will’s New York Nite Life

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Updates from www.thecitiview.com/nyc/

Will’s New York Nite Life – Articles 

Will’s New York Nite Life – Articles 

In the 11/04/2019 edition:

Storm Large @ Feinstein’s 

By Will Friedwald  on Nov 04, 2019 12:00 am

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Renee Raff with Jay Leonhart & Ken Peplowski @ Feinstein’s 

By Will Friedwald  on Nov 04, 2019 12:00 am

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Lainie Kazan @ Feinstein’s 

By Will Friedwald  on Nov 04, 2019 12:00 am

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Feinstein's  on Facebook

Welcome! Please subscribe to our blogs and stay informed about the best things to do in New York City.

If you love the Big Apple, be sure to subscribe for the latest happenings in NYC!

Author: Will Friedwald

Will Friedwald writes about music and popular culture for THE WALL STREET JOURNAL, VANITY FAIR and PLAYBOY magazine and reviews current shows for THE CITIVIEW NEW YORK. He also is the author of nine books, including the award-winning A BIOGRAPHICAL GUIDE TO THE GREAT JAZZ AND POP SINGERS, SINATRA: THE SONG IS YOU, STARDUST MELODIES, TONY BENNETT: THE GOOD LIFE, LOONEY TUNES & MERRIE MELODIES, and JAZZ SINGING. He has written over 600 liner notes for compact discs, received ten Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music.

New Books:

THE GREAT JAZZ AND POP VOCAL ALBUMS (Pantheon Books / Random House, November 2017)

SINATRA: THE SONG IS YOU – NEW REVISED EDITION (Chicago Review Press, May 2018)

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Warwick, Ny 10990

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This Weekend: Houston Person Quartet @ Jazz Forum!


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This Weekend: Houston Person Quartet @ Jazz Forum!

Jazz Forum<!–


Westchester’s Only Dedicated Jazz Club
• • • • • • • • •
1 Dixon Lane Tarrytown, NY • (914) 631-1000

Buy tickets at jazzforumarts.org today!


This Weekend: November 8 – 10


Houston Person Quartet

FRI & SAT • NOV 8 & 9
7 & 9:30 PM


Nothing, it seems, can stop Houston Person – so here’s a weekend to appreciate the reigning King of the Boss Tenor himself. His tone has gotten bigger even as his delivery has mellowed and rounded out. And, of course, you are likely to hear almost anything in terms of repertoire from Houston, pianist Lafayette Harris, bassist Matthew Parrish, and drummer Vince Ector.


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Matthew Parrish Quartet

SUN • NOV 10
4 & 6 PM


Having apprenticed with the great organist Shirley Scott and trombonist Al Grey, Matthew Parrish developed into a fine leader, educator and recording artist who has appeared on 65 albums with the likes of Wynton Marsalis, Dee Dee Bridgewater, Paquito D’Rivera and Clark Terry. Now touring with Houston Person, he’ll bring his own quartet here featuring pianist Jim Ridi, drummer Otis Brown III and vocalist Michelle Lordi, whose 2017 album Matthew produced.



Next Weekend: November 15 – 17


David Amram @ 89!

FRI & SAT • NOV 15 & 16
7 & 9:30 PM


One of America’s true musical treasures and a great friend of Jazz Forum Arts, the distinguished composer, musician, conductor, and author David Amram will celebrate his 89th birthday with special guests and good friends. With David’s lifetime of honored achievement in jazz, classical music, film scoring, world music, poetry and so much more, there’s a lot to celebrate and you can join the party.

Featuring Eric Lawrence, Rene Hart, Kevin Twigg, Elliot Peper, Mark Morganelli, Vic Juris (Friday only), Adam Amram (Saturday only) and a Special Surprise Guest!


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Rogerio Boccato Quartet

SUN • NOV 17
4 & 6 PM


New York-based Brazilian percussionist Rogerio Boccato is one of the busiest sidemen on the scene, recording and gigging with the likes of Maria Schneider, Kenny Garrett, John Patitucci, and Fred Hersch. His critically-acclaimed 2018 debut album as a leader, No Old Rain, explored great work of Brazil’s post-bossa nova era and he brings the same sympathetic group to Tarrytown – saxophonist Dan Blake, keyboardist Nando Michelin and bass player Jay Anderson.



Following Weekend: November 22 – 24


Fred Hersch Trio featuring Drew Gress & Billy Hart

FRI & SAT • NOV 22 & 23
7 & 9:30 PM


“Across more than 40 albums,” The Irish Examiner recently raved about Fred Hersch, “the New York-based piano player has created a body of work that connects with the likes of Thelonius Monk, Bill Evans and Ornette Coleman, but without ever sounding tired or nostalgic.” Truly one of the greats in contemporary jazz, Hersch brings his lyrical, gentle, and always gorgeous approach to Tarrytown with bassist Drew Gress and drummer Billy Hart.


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Noah Haidu Trio featuring Buster Williams & Billy Hart

SUN • NOV 24
4 & 6 PM


Hailed as one of the most confident and impressive of the new pianists — All About Jazz said simply “the cat can play his butt off” – Brooklyn- based Noah Haidu was named a ‘Rising Star’ by both Downbeat Magazine and JazzTimes while Downbeat called his album Infinite Distances one of 2017’s best records. Two top-notch players join Noah on his innovative compositions and improvisations — bassist Buster Williams and drummer Billy Hart.


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GET TICKETS TO EARLY SHOW
6 – 8:30 PM

GET TICKETS TO LATE SHOW
9:30 PM – 1 AM

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Special Event at SOB’s in NYC!




Mark Morganelli & The Jazz Forum All-Stars
Celebrating Brasil! Double-CD!

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Friday, November 15
8 & 10 PM

BUY TICKETS AT SOBS.COM


Claudio Roditi Needs Our Help!


Brazilian Trumpet & Flugelhorn Master, Claudio Roditi has been valiantly addressing several health challenges, including prostate cancer in recent months and would really appreciate any financial assistance from the music community.

Bassist John Lee has set up a Go Fund Me campaign, and we encourage all concerned folks to consider contributing to help offset Claudio’s tremendous medical expenses as he continues to fight to restore his health. 

VISIT GOFUNDME PAGE

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Presenting Sponsor

Co-Sponsored by

Partner Organization

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Copyright © 2019 Jazz Promo Services, All rights reserved.

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“Choro Festival 2019 ” November 13th – 8PM – Opera Center America


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“Choro Festival 2019 ” November 13th – 8PM – Opera Center America

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Brazilian Music Foundation 5th-Annual International Choro Festival<!–



COMING UP IN NOVEMBER


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Brazilian Music Foundation is proud to present its
5th-Annual International Choro Festival in the City of New York, “Samba-Choro” with a lineup of very talented musicians and a variety of interesting performances.

Tickets are selling fast! 
Limited space! 


Wednesday, November 13th , 2019

8:00pm
Doors open 7:30pm
at Opera Center America Marc A. Scorca Hall
330 Seventh Ave.
7th Floor – New York City, NY 

 


Tickets 

 $ 35 – $ 40 (door)

Purchase in advance to avoid lines and delays!
(general admission)

(All proceeds will go to BMF-USA.ORG)

 

BMF is a 501(c)(3) nonprofit organization

Fundraiser for the Brazilian Music Foundation, a non-profit organization promoting Brazilian culture and music via educational and performance programs.


MEET THE MUSICIANS!


The Brazilian Music Foundation (BMF) Choro Collective is formed by selected talented musicians, composers and arrangers in choro music today. The BMF Choro basic ensemble instruments include acoustic guitar, flute, saxophone and the pandeiro, a typical percussion instrument from Brazil. The group features local and international musicians with special guests becoming a small orchestra, with more musicians playing instruments like piano, cavaquinho, the 7 string acoustic guitar, clarinet, among others.  This year we are introducing the “Samba-Choro” featuring local musicians and musicians from other cities in the US.

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About Choro

Brazilian Choro has roots jazz, and is considered Brazil’s first “urban pop” music. There are over 30 different types of rhythms in Brazilian Music. By presenting the diversity of our rhythms, we hope to encourage diverse musicians, music students, adults, and children to engage in creating music with a dynamic communicative style that is energetic, fun, creative, and very inspiring!

Samba-Choro is a musical subgenre that emerged in the 1930s resulting from the fusion of rhythmic elements and the instrumental formation of samba with choro, both musical genres of Brazilian popular music 
 

"Choro is considered a Brazilian cultural heritage".


By attending one of our concerts you will not only enjoy the best of Brazilian Music but you will also be helping many organizations to remove children off the streets, helping them being socially responsible, and giving them the opportunity for a better life through music.

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Check out videos and photos from previous concerts.

CLICK HERE

    We hope to see you there!

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Visit our site:www.bmf-usa.org        Contact us: info@bmf-usa.org 

Copyright © *|2013|* *Brazilian Music Foundation*, All rights reserved.
 
Our mailing address is:
2540 Shore Blvd. Suite 3D
Astoria,NY 11102

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Fostina Dixon The Vertical Alignment Tour

Fostina Dixon The Vertical Alignment Tour


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November 4, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Fostina Dixon The Vertical Alignment Tour

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FOSTINA DIXON “VERTICAL ALIGNMENT”

Artist: FOSTINA DIXON 

Title: VERTICAL ALIGNMENT

Label: SELF PRODUCED

Release Date: NOVEMBER 1, 2019 

UPC Code: 888295911153

Produced By: AL TURNER 

Track listing 
 

Fostina Dixon Vertical Alignment 
 
Produced By Al Turner 
 
1.Good Vibes*
Fostina Dixon: Alto Sax
Featuring Al Turner on bass
Written By Al Turner
Publishing: Frenotes ASCAP
Al Turner: Bass, Keyboards, Drums & Percussion
Monty Q. Pollard: Piano
Mike “Big Mike” Hart: Guitar
 
2.More *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards, Drums & Percussion
Monty Q. Pollard: Piano

Ray Chew – Keyboards/Programming/Neck Brace
 
3.Vertical Alignment *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Ron Otis: Drums
Charles Scales: Keyboards
Joe Foster: Guitar
 
4.The Best Is Yet To Come ****
Fostina Dixon: Soprano Sax
Jeffrey Murrell: Lead Vocals
Music by: Herb Middleton
Vocals : Jeff Murrell. Wado Brown “Petawayne” 
Keyboard & Drum Programming : Herb Middleton 
Bass Guitar : Herb Middleton 
Lyrics : Wado Brown, Jeff Murrell, Herb Middleton 
Publishing: Big Herb’s Music/BMI , Jeff Murrell Music/BMI 
Fossiebear Music Publishing/BMI
 
5.Thank You *
Fostina Dixon: Alto & Baritone Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Rick Watford: Guitar
 
6.Neckbrace ***
Fostina Dixon: Alto Sax
Featuring Ray Chew
Written By Ray Chew
Produced by Ray Chew
Publishing: Charu Music/BMI
Ray Chew: All Other Instruments
 
7.I’ll Always Remember *
Fostina Dixon: Soprano Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Jon Dixon: Piano
Mike “Big Mike” Hart: Guitar
JJ Evans: Vocals & Vocal Arrangement 
Jeff Murrell: Vocals
 
8.Strutt’n Down Fulton Street**
Fostina Dixon: Alto Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing?BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Gary Johnson: Guitar
 
9.Strutt Sum Mo *
Fostina Dixon: Alto Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Wayne Gerard: Guitar
 
10.Blessing Me Now *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion
Kali Douglas: Piano & Organ
Ron Otis: Drums
Leroy Hyter: String Arrangement 
 
 
11.He Is Risen *
Fostina Dixon: Soprano Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner Bass, Keyboards, Percussion & Guitar
Monty Q. Pollard: Piano
Jeff Canady: Drums
 
 
Recording Engineers: Bill Harris & Al Turner 
Assistant Engineer: Todd Kilgoe 
 
All Songs Mixed By: Carl Robinson * 
Except: Strutt’n Down Fulton Street Mixed By
Derrick Homes **
Neck Brace Mixed By Ray Chew ***
The Best Is Yet To Come Produced and Mixed By Herb Middleton ****
Engineered by Todd Kilgoe ****
 
Mastered By: Peter Humphreys
 
Fostina Dixon pictures by Marlon McNeil Sr. 

Musicians: Fostina Dixon: Alto, Soprano & Baritone Sax, Al Turner: Bass, Keyboards, Drums & Percussion, Monty Q. Pollard: Piano, Mike “Big Mike” Hart: Guitar, Ron Otis: Drums, Charles Scales: Keyboards, Joe Foster: Guitar, Background Vocals : Jeff Murrell. Wado Brown “Petawayne” Keyboard & Drum Programming : Herb Middleton, Bass Guitar : Herb Middleton + Others.
 

One of the few female jazz instrumentalists to front her own band, Winds of Change, the saxophonist, composer, vocalist and educator’s comeback album in 2016, “Here We Go Again” has garnered complimentary reviews. The single “Vertical Alignment” released the beginning of 2019, made the Smooth Jazz Network Charts multiple weeks. This new CD Vertical Alignment, which features original materials and multiple talented musicians, is making great impressions, getting much praise with musicians, and creating a buzz in the music business. It hits the depth of your soul. There is no holding back or compromise of interpretation or expression. Fostina’s unique improvisational style shows her experience in playing all genres of music. Her producers Al Turner and Ray Chew add even more flare to these original compositions. After a storied early career that included playing alongside such Jazz greats as Abbey Lincoln, Melba Liston, Frank Foster, James “Blood” Ulmer, Tom Browne, Roy Ayers, and playing in the Gerald Wilson Big Band, touring with Marvin Gaye, and many other experiences too vast to mention, Fostina has made significant contributions to the arts and education scenes. Fostina received a Christi Award for her contributions to promoting the arts in the community, an Outstanding Arts Educator award from the Delaware Board of Education, and an Outstanding Contributor award from the Council of Jazz Advocates for her work as an arts educator, and is the Founder and longtime Executive Director of the Wilmington Youth Jazz Band. 
 

It’s my honor to represent Fostina on this CD. She should take her place among jazz superstars. Love the sax interplay on the two vocals, “Best Is Yet To Come,” and “I’ll Always Remember.” Reminds me of the great jazz legend Grover Washington Jr. 

—Lloyd Z. Remick Esq. 

 

AVAILABLE FROM:
www.fostinadixon.com

www.store.cdbaby.com/cd/fostinadixon4

 

 

MEDIA CONTACT:
JIM EIGO, JAZZ PROMO SERVICES
 272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677 

jim@jazzpromoservices.comwww.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2019 All rights reserved.

Jazz Promo Services

269 State Route 94 South

Warwick, Ny 10990

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Django Reinhardt NY Festival Celebrates 20th Anniversary at Birdland Jazz Club

Django Reinhardt NY Festival Celebrates 20th Anniversary at Birdland Jazz Club


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November 4, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Django Reinhardt NY Festival Celebrates 20thAnniversary at Birdland Jazz Club
 
One of the most successful musical projects in New York.

 
This November marks the 20thAnniversary of the Django Reinhardt NY Festival at Birdland Jazz Club, produced by Pat Philips-Stratta and her late partner, conductor Ettore Stratta. The festival, which began in 1999, has featured many talented musicians over the years who embody the gypsy jazz style of music by the great Django Reinhardt. Of these was guitarist Dorado Schmitt.
 
This year, he will be joined by sons Samson Schmitt (guitar) and Amati Schmitt (guitar), who over the years, have grown up on the Birdland stage and who have become virtuosos in their own capacity. With them are mainstays Ludovic Beier (accordion/accordina) and Pierre Blanchard (violin) who consistently leave the audience breathless with their performances. Joining them are more gypsies, cousins of the Schmitt family, Francko Mehrstein (rhythm guitar) and Gino Roman (bass). 
 
The Django Reinhardt NY Festival brings the music of the great gypsy guitarist, Django Reinhardt, into the 21st Century.  The high energy performances pay tribute to Reinhardt who is considered one of the greatest jazz guitarists of all time. Reinhardt’s driving, swinging style became known as ‘HOT JAZZ’. The Django Festival Allstars add their own interpretations and arrangements to some of Reinhardt’s greats, as well as create new and modern compositions of their own.
 
 “HARDEST SWINGING BAND AT THE NEWPORT JAZZ FESTIVAL” – Downbeat Magazine
 
“HIGHLIGHT OF THE PLAYBOY JAZZ FESTIVAL” – LA Scene
 
“FABULOUS” – Downbeat Magazine
 
“BEST JAZZ SHOW IN TOWN” – Wall Street Journal
 
“SOME OF THE GREATEST MUSICIANS IN THE WORLD” – Leonardo DiCaprio

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2019 All rights reserved.

Jazz Promo Services

269 State Route 94 South

Warwick, Ny 10990

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HOSTOS CENTER PRESENTS HAVANA JAM Friday, November 15, 7:30 PM

HOSTOS CENTER PRESENTS HAVANA JAM Friday, November 15, 7:30 PM


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November 4, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Press contacts:
John MacElwee – 718-518-6539, jmacelwee@hostos.cuny.edu
Jim Eigo – 845-986-1677, jim@jazzpromoservices.com
HABANA 500: A New York Salute to a Timeless City
Soldanela Rivera: (718) 518-4410 Habana500@hostos.cuny.edu

http://www.hostos.cuny.edu/Home-Page-Content/Events/LA-HABANA-500-A-New-York-Salute


HOSTOS CENTER PRESENTS HAVANA JAM
 
An All-Star Musical Salute,
led by Bassist / Violinist / Composer
Yunior Terry 
Celebrates 500th Anniversary
of the Founding of Havana
 
Performance Featuring 
 
Yunior Terry and Son de Altura
featuring David Oquendo 
 
with special guests Eddy Zervigón,
Gema and Adonis González
 
Friday, November 15, 7:30 pm

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LINK TO HIGH RESOLUTION ARTIST PHOTOS

FOR IMMEDIATE RELEASE

October 21, 2019 (Bronx, NY) – The Hostos Center for the Arts & Culture presents Havana Jam honoring the 500th Anniversary of the Founding of Havana with bassist / violinist / composer Yunior Terry leading his septet Son de Altura featuring vocalist David Oquendo and special guests – Cuban song stylist Gema, Charanga flutist Eddy Zervigón, of Orquesta Broadway, and classical pianist Adonis González, on Friday, November 15, 7:30 PM in the Repertory Theater at Hostos Community College, 450 Grand Concourse at 149th Street in the Bronx. The concert is the closing event of “LA HABANA 500A New York Salute to a Timeless City,” a series of events (Nov. 12 through 15), including seminars and walking tours presented by three CUNY Colleges – Hostos Community College, John Jay College of Criminal Justice, and The City College of New York— in collaboration with the School of Visual Arts. Tickets for “Havana Jam” are $25, $20 for Seniors and $5 for students and are available at www.hostoscenter.org or by calling (718) 518-4455. Box office window hours are Monday through Friday, 1:00 p.m. to 4:00 p.m., and two hours prior to performance. 

For event information on “LA HABANA 500: A New York Salute to a Timeless City,” call (718)- 518-4410 or email Habana500@hostos.cuny.edu

“We are going to celebrate Havana’s 500 years with a mosaic of musical traditions that will take the audience on a journey through time,” says Yunior Terry. “Havana has been a city of inspiration for countless artists throughout history, and deserves a musical program that captures the glorious past and the sounds of today.  From 1519, when Havana was founded, many cultural exchanges – from Indigenous, Spanish, African, Haitian, Chinese, other European, to American – have contributed to crystalizing the sounds of Cuba.”

Terry continues, “I will be performing with my band Son de Altura, a project that pays tribute to the vast legacy of popular Cuban dance music. Among the all-star line-up of the band is the esteemed vocalist David Oquendo, renowned for his collaborations with some of the legends of Cuban music including Elena Burke and Chico O’Farrill. In addition, we will feature three guest artists who will represent historically significant Cuban musical genres.”

“Classical music is very important to our culture which is why we are having the great Cuban classical pianist Adonis González perform Ignacio Cervantes (1847 – 1905), Cuba’s leading composer of the 19th century, as well as Ernesto Lecuona (1895-1963), who combined classical influences with folk elements, much like Gershwin.”

“Stunning contemporary vocalist, Gema Corredera, will be performing a selection of Boleros from the 1920’s through to today, paying tribute to the Cuban tradition of Trovadores and the songs of love.”

“Also joining Son de Altura in our tribute to popular Cuban dance music like Danzón, Son, and Cha Cha Cha, will be Eddy Zervigón, one of the greatest living Charanga flutists in the world today. Since his arrival in New York City in 1962, Zervigón has been the leader of the legendary Charanga Orquesta Broadway, and we are honored to have him join our program.

“It is going to be a wonderful concert and an important way to honor the longevity of Havana on its 500th anniversary.”

Support for Hostos Center programs is provided by the Eugenio María de Hostos Community College Foundation, with public funds from the New York City Department of Cultural Affairs, the New York State Council on the Arts, the Howard Gilman Foundation, New York City Councilmember Rafael Salamanca, and the Office of New York State Assemblyman José Rivera.
 
ARTIST BIOGRAPHIES
Born in Camagüey, Cuba, bassist, violinist, and composer Yunior Terry is part of one of Cuba’s most gifted musical families. Following his father and two older brothers Yosvany and Yoel, he began his musical training at the age of seven. He grew up surrounded by the music of Afro-Cuban religious traditions and learned to play the chekeré from his father Don Pancho, the undisputed master of the instrument. Yunior graduated from the prestigious National School of Art (ENA) with a double major in bass and violin. While in Cuba, he played violin with the Cuban National Symphony and bass with folkloric and Latin jazz groups.  He holds a B.A. from CalArts, and an M.A. from Rutgers University. Since moving to NYC, he has deepened his understanding of Jazz traditions through performing with Steve Coleman, Jerry González and the Fort Apache Band, Jeff “Tain” Watts, Dafnis Prieto, Eddie Palmieri, Gonzalo Rubalcaba, Michele Rosewoman, Andy Narell, Ravi Coltrane, and Yosvany Terry. He was part of the Latin Jazz All Stars project with Dave Valentín, Giovanni Hidalgo, Hilton Ruíz, Steve Turre, and Mario Rivera. With his septet, Son de Altura, he released his debut CD Mi Bajo Danzón in 2012.

At age seven, Gema Corredera debuted at the Hubert de Blanck Theater in Havana, as part of the Children’s Musical Workshop of Teatro Estudio.  She graduated from Cuba’s Escuela Nacional de Música (the National School of Music) having studied classical guitar.  Soon after, she entered the Instituto Superior de Arte de La Habana (ISA), where she focused on contemporary Cuban composition, folkloric Cuban music (especially rumba) and classical composers.  As a young adult, she met composer and guitarist Pavel Urquiza, with whom she formed the duo Gema y Pavel.  In 1992 they both moved to Madrid, where they were able to create a new style of Cuban urban music influenced as much by The Beatles as by la Nueva Trova, Chick Corea, the Brazilian Caetano Veloso and the Argentinian Fito Páez. In 2011, after many years as a duo and with a dozen record productions, Gema y Pavel decided to focus on their solo projects, including Gema’s Derramando Luz, which features Yosvany Terry. In Feeling Marta, she celebrates the musical work of the renown Cuban composer Marta Valdés, which won her a 2016 Cubadisco prize.  
 
Adonis González graduated with honors from the Superior Institute of Art of Havana, holds a Master of Music Degree from the University of Southern Mississippi, and a Doctoral Degree in Piano Performance from Mason Gross School of the Arts at Rutgers University. He also took courses in Orchestral Conducting at The Juilliard School in New York City and is an accomplished composer. His Symphonic Poem for Piano and Orchestra ‘Cimarrón’ was premiered by the National Symphony of Costa Rica.   He is currently an Artist in Residence of the Cuban Artist Fund in New York and a Professor of Music at Alabama State University. González won the First Prize of the Teresa Carreño International Piano Competition in Caracas, Venezuela and the First Prize of the most important Cuban piano competition organized by the National Association of Cuban Writers and Artists (UNEAC). He is also a laureate of the International Piano Competition of the Principality of Andorra and the Ernesto Lecuona International Competition of Havana. He was nominated for a Latin Grammy for Best Classical Album for his solo debut Adiós a Cuba

Eddy Zervigón, the flautist and founding leader of Orquesta Broadway plays a 5 keyed wooden flute commonly referred to as the ‘French flute.’ He was born in Güines, a Cuban town located nearly 30 miles southeast of Havana. In 1962, he and his brothers left Cuba for Miami where they spent a few months before coming to New York. Upon his arrival in the city, Zervigón worked in the bands of Lou Pérez, Johnny Pacheco, Alfredo Valdés Sr. and Arsenio Rodríguez   He has been featured in countless recordings by a very diverse group of artists. Zervigón was also featured for many years as a guest soloist with Manny Oquendo’s Libre and pianist Eddie Palmieri’s group. In 1964, he founded his own Charanga group, Orquesta Broadway, which has made many recordings and toured all over the world. Orquesta Broadway celebrated its 40th anniversary in 2002 with a well-received recording of the same name and its 50th anniversary, in 2012, with a spectacular concert at Lincoln Center Out of Doors.

David Oquendo was born in Havana, Cuba in 1958.  Self-taught, Oquendo absorbed the essence of the Afro Cuban rhythmical vernacular in the poorest neighborhoods of his native city.  At 12 years of age, David started playing guitar and singing in several “Rock” bands around Cuba.  Even though he was not conservatory trained, his passion for music, his discipline and self-criticism, took him to the point where eventually he was considered one of the best guitar accompanist in Cuba.  As accompanist, Oquendo has worked with artists of the caliber of: Moraima Secada, Elena Burke, Lucho Gatica, Meme Solis, Maggie Carles, Lenny Andrade, and many others.  Oquendo was musical director and producer for “The Cuban Rumba All Stars,” a first time, historical collaboration by members of Cuba’s Rumba groups:  Los Muñequitos de Matanzas, Yoruba Andabo, Clave y Guaguanco, Obba ILU, Coro Folklórico Cubano, Raices Profundas y Grupo Tata Güines. Oquendo has a Grammy Award for the album Tropicana Nights with Paquito D’Rivera, a Grammy Nomination for Bebop Timba with Raphael Cruz and three Latin Grammy Nominations for Raices Habaneras50 Years of Mambo and Paquito D’Rivera Presents Las Hermanas Márquez.
 
About the Hostos Center for the Arts & Culture
 An integral part of Hostos Community College / CUNY since 1982, the Hostos Center for the Arts & Culture, which includes two state-of- the-art theaters of 900 and 367 seats each, a black box experimental theater, and a museum-grade art gallery, is a resource for students and faculty in addition to serving the cultural needs of South Bronx residents and neighboring communities. Recognized nationally as a leader in Latin and African-based programming, the Hostos Center creates performing and visual arts forums in which the diverse cultural heritages of its audiences are celebrated and cultivated. In meeting that objective, the Center is dedicated to the development of emerging artists and the creation of new work. 

What:   “Havana Jam” with Yunior Terry and Son de Altura featuring David Oquendo  
             with special guests Eddy Zervigón, Gema and Adonis González
 
When:  Friday, November 15, 7:30 PM
 
Where:  Repertory Theater
Hostos Center for the Arts and Culture
Hostos Community College 
450 Grand Concourse
Bronx, NY 10451
 
Pricing: $25 ($20 for seniors 65 and over), ($5 Students)  
 
Box Office:718-518-4455
 
Website: www.hostoscenter.org
 
Ticket Window:  Mon. – Fri.   1 PM to 4 PM and 2 hours prior to events.
 
Subway/Bus:    IRT Trains 2, 4, 5 and Buses BX1, BX2, BX19 to 149th Street/Grand Concourse.
 
 

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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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BUSTER WILLIAMS DOCUMENTARY PREMIERE IN NYC NOVEMBER 12th

BUSTER WILLIAMS DOCUMENTARY PREMIERE IN NYC NOVEMBER 12th


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November 4, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Adam Kahan’s feature documentary on bassist, composer and citizen of planet earth Buster Williams, will premiere as part of DOC NYC at New York’s IFC Center on Tuesday November 12th at 7:25PM. The film features not only Buster, but includes Herbie Hancock, Benny Golson, Larry Willis, Rufus Reid, Lenny White, Kenny Barron, Carmen Lundy and Christian McBride.

Tickets and more info HERE

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Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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Matt Darriau’s PARADOX TRIO, this Sunday at the Falcon, 8pm.

Matt Darriau’s PARADOX TRIO, this Sunday at the Falcon, 8pm.


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November 3, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

The Falcon!
1348 Route 9W
Marlboro, New York 12542

More Info

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Finally, after 25 years of touring and 5 cd’s later, we will be playing at the Falcon this Sunday.  We are fresh off last year’s tour of Bulgaria  and hope you can come join us this Sunday.  Getting to know most of you, the wonderful scene up here in the Valley and the folks at The Falcon, i am really hoping to get a good showing this sunday.  Thanks, hope to see you!  -md

Matt Darriau – sax, clarinet, gaida, kaval
Brad Shepik – guitar
Rufus Cappadocia – cello
Seido Salifoski – dumbek/perc 

Visit our newly loaded Bandcamp page to stream/buy our CD’s. 
    mattdarriaumusic.bandcamp.com

The Brooklyn-based PARADOX TRIO is actually a quartet creating original music inspired by Eastern European traditions, and driven by an improvisational downtown edge . With their five previous releases on the Knitting Factory, ENJA and FELMAY labels, Paradox Trio has been influential in advancing world fusion with their innovative exploration of Balkan, Gypsy, middle eastern and klezmer music forms. 

Darriau and the band were in the first wave of artists to introduce these melodies, modes, and rhythms into the NYC music scene. 

For 20 years these four musicians have been notorious for their high-energy concerts throughout North America, Canada and Europe. The group’s dynamic performances and approach cut across stylistic and geographic boundaries creating an unusual and eclectic sound – redefining the concept of “world beat.” 

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
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E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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This Sunday afternoon—FREE concert in BrooklynNovember 3, 3pm–Soup & Sound Around Brooklyn: The Drumpresented by Continuum Culture & Arts

This Sunday afternoon—FREE concert in BrooklynNovember 3, 3pm–Soup & Sound Around Brooklyn: The Drumpresented by Continuum Culture & Arts


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November 2, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

GERRY HEMINGWAY
BETH WARSHAWSKY

solo percussion + duo w/ audio-visuals

SAMEER GUPTA
ROHAN MISRA
tabla/sarangi

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Sunday, Nov. 3, 3pm
@ Grace Reformed Church of Flatbush (1800 Bedford Ave. Brooklyn)
entrance on Bedford b/n Lefferts Ave. and Lincoln Rd.
Q/S to Prospect Park
B49 bus stops at the door
info: www.soupandsound.org

FREE!
GERRY HEMINGWAY
The solo performance of Gerry Hemingway will present a variety of acoustic and electro-acoustic works, as well as songs and other poetries from both current and past repertoire. His work as a solo artist began in 1974 marked by six different solo recordings spanning many decades of concentration on this medium of expression. Sunday’s program will also offer a short visit to the ongoing interactive work with visual artist Beth Warshafsky.

The collaborative work of visual artist Beth Warshafsky and percussionist/sound artist Gerry Hemingway has existed since the late 1980’s. The passage of time since then has seen the simultaneous evolution of a mutual aesthetic along with their work’s incorporation of developing technologies. On the one hand each artist is rooted in the fundamentals of their medium. In Beth’s case this would include many years of work in painting and a variety of two dimensional mediums. In the background of Gerry’s work is a long history as a performer and composer of acoustic and electro-acoustic solo music, both improvised and composed.

The process to refine each new work is decidedly patient, often evolving over many performances, documentations and evaluations. The live interactive material is however continually changing as it explores through improvisation and risk the possibilities of a shared poetic expression.

for more about Gerry Hemingway’s solo work: http://gerryhemingway.com/solowork.html
 
and regarding the collaboration with Beth Warshafsky: http://gerryhemingway.com/multimedia.html
 
and as well via the website of Beth Warshafsky: http://bskynyc.com/web_2013/performance.php
 
SAMEER GUPTA
Sameer Gupta is known as one of the few percussionists simultaneously representing the traditions of American jazz on drum set, and Indian classical music on tabla. Originally a jazz drummer learning from his peers in San Francisco and Harlem NYC, Sameer’s own interests and love of tabla brought him the support and guidance of several renown tabla maestros. Sameer is also a co-founder of the non-profit artist collective Brooklyn Raga Massive. Today he lives in Brooklyn and is actively involved in performing, curating, producing, and teaching through various institutions including the Brooklyn Conservatory of Music, Brooklyn Raga Massive, Carnegie Hall’s Global Encounters, and Ragas Live Festival.
 
Sameer will present a traditional tabla solo covering a large repertoire of old and new compositions and variations as well as contemporary improvisation informed by his love of pushing the musical envelope.
 
https://sameergupta.com

UPCOMING CONTINUUM EVENTS

Nov. 15, 7pm BONITA OLIVER 
@ the Brooklyn Commons Café (388 Atlantic Ave., Brooklyn)
a co-presentation of Continuum Culture & Arts and Music Now! 
Vocalist/Filmmaker/Multi-media artist Bonita Oliver performs Cellular Transitions, an interactive, solo performance. This 65 minute musical, visual, and spoken word journey will premiere as a first run/work in progress that aims to rouse individual and collective remembrance in connection to our ancestral traumas and our ancestral gifts. This is a ritual awakening to stimulate the ideal of infinite love. Please come prepared to share personal stories. 
$20 suggested donation

Dec. 12, 7:30pm KARUNA (HAMID DRAKE, ADAM RUDOLPH, ALEXIS MARCELO)
@ the Lincoln Center Atrium (62nd & Broadway, New York)
a co-presentation of Continuum Culture & Arts and the Lincoln Center Atrium 
FREE!

Dec. 14, 3pm WARREN SMITH
@ Flatlands Dutch Reformed Church (3931 Kings Hwy. Brooklyn)
FREE!

*******************************************************************************

Soup & Sound Around Brooklyn is made possible by public funds from the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, and from the Decentralization Program of the New York State Council on the Arts, both administered in Kings County by Brooklyn Arts Council (BAC).

Continuum Culture & Arts, Inc. promotes the creation of innovative, world class music while supporting the people who create it and the culture that surrounds it. Our scope is local and international. Continuum is a non-profit 501(c)(3) organization based in Brooklyn, New York.

 

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
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E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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NEA JAZZ MASTERS: A Gathering of The Masters

NEA JAZZ MASTERS: A Gathering of The Masters


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November 1, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Tickets & Info
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This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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269 State Route 94 South

Warwick, Ny 10990

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NEA JAZZ MASTERS: A Gathering of The Masters

NEA JAZZ MASTERS: A Gathering of The Masters


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November 1, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Tickets & Info
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This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Bria SkonbergJazz Standard November 1 through 3

Bria SkonbergJazz Standard November 1 through 3


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November 1, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Will’s New York Nite Life


Bria Skonberg
Jazz Standard
116 E. 27th, (212) 576-2232
November 1 through 3

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Trumpeter, vocalist, composer, and bandleader Bria Skonberg first attracted our attention as perhaps the single most dynamic musical personality to emerge from the nascent Hot Jazz movement, about nine or ten years ago. (She’s still younger than most of my credit card bills – “LOL,” as the millennials would say.) And it’s not that she’s moved beyond Hot Jazz as a style – she was a cofounder of the New York Hot Jazz Festival and she continues to run the Hot Jazz Camp – but she’s realized that when you start with the foundations of jazz as your point of departure, you can go anywhere you like from there. Hence, her excellent new album, Nothing Never Happens, features her still-evolving cocktail of jazz (traditional and modern, hot and cool), blues, folk, pop, and whatever (even a song by Sonny Bono. Sonny Bono? Sonny Bono?!) You can’t get more eclectic than that.) Only Bria would think to combine Duke Ellington’s “Black and Tan Fantasy” (which itself “samples” Chopin) and Paul McCartney’s “Blackbird.” Her original “Square One” is a guitar-heavy country and western song that someone should eMail to Emmylou Harris. Unlike most of her contemporaries, both as singers and musicians in the Hot Jazz camp, Ms. Skonberg has a gift for making albums that are actually as good as she is in person (kudos also to producer Eli Wolf), and  Nothing Never Happens, as it happens, is infinitely dig-able.
 

For information and reservations, please click here:

Welcome! Please subscribe to our blogs and stay informed about the best things to do in New York City.

If you love the Big Apple, be sure to subscribe for the latest happenings in NYC!

Author: Will Friedwald

Will Friedwald writes about music and popular culture for THE WALL STREET JOURNAL, VANITY FAIR and PLAYBOY magazine and reviews current shows for THE CITIVIEW NEW YORK. He also is the author of nine books, including the award-winning A BIOGRAPHICAL GUIDE TO THE GREAT JAZZ AND POP SINGERS, SINATRA: THE SONG IS YOU, STARDUST MELODIES, TONY BENNETT: THE GOOD LIFE, LOONEY TUNES & MERRIE MELODIES, and JAZZ SINGING. He has written over 600 liner notes for compact discs, received ten Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music.

New Books:

THE GREAT JAZZ AND POP VOCAL ALBUMS (Pantheon Books / Random House, November 2017)

SINATRA: THE SONG IS YOU – NEW REVISED EDITION (Chicago Review Press, May 2018)

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Jazz At Atlas Presents The James Emery Trio Saturday, November 2, 8 PM


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Jazz At Atlas Presents The James Emery Trio Saturday, November 2, 8 PM

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THIS SATURDAY, NOV. 2!!!

“Three decades of picking obliques with Leroy Jenkins, Anthony Braxton and bending Monk-bebop-blues notes with the String Trio of New York have evolved guitarist James Emery into a formidable improviser/composer/arranger with a particularly unique chordal-melodic-harmonic six-string flow. James Emery is special.”
— Tom Terrell, Jazz Times

Jazz at Atlas closes out its 2019 season with the acclaimed modern jazz guitarist James Emery. Co-founder of the renowned, pioneering ensemble String Trio of New York, Emery leads an accomplished chamber jazz trio featuring Rob DeBellis on alto saxophone, clarinet and flute and Kim Cass on bass. 

The James Emery Trio will perform on Saturday, November 2 at 8 PM at Atlas Studios, located at 11 Spring St. in Newburgh, NY. Ample onsite parking is available. Tickets will be $25 at the door and $20 in advance — advance tickets are available at: https://jamesemery.brownpapertickets.com/ .

_____________

Co-founder of the chamber ensemble The String Trio of New York, virtuoso guitarist and composer James Emery has received international recognition for his distinctive and highly original approach to both improvisation and composition.  Utilizing a full range of musical information, his sensibility draws in nearly equal measures upon formal notions of structure and technique and a robust willingness to improvise, experiment, and follow his musical knowledge – both as composer and player.

Artistic Director of the highly accomplished Sound Directions, Inc., James has been active as performer, oft-commissioned composer and inspiring educator on the international jazz and contemporary music scene since 1975, with over two dozen CDs as a leader or co-leader and live performances in more than 25 countries worldwide. His recordings have been described as “innovative and imaginative” and “utterly distinctive” by the Penguin Guide to Jazz, which selected his orchestral recording, Transformations for its edition titled “The History of Jazz in the 1001 Best Albums.” He has received international critical acclaim for his work leading various ensemble formations of jazz and creative music, particularly the String Trio of New York which is entering its fifth decade in 2019.

His unique artistic expression has resulted in many commissions including a Guggenheim Fellowship. He has also received awards and grants from the National Endowment for the Arts, the Cary Trust, and the New York Foundation for the Arts. His compositions have been commissioned with funding from Chamber Music America, the Meet the Composer/Rockefeller/AT&T program, Meet the Composer’s Commissions USA program and the MTC/Lila Wallace Jazz Program.

As a distinguished sideman Emery has performed and recorded with a variety of contemporary music heavyweights, including Steve Reich, Wadada Leo Smith, Anthony Braxton, Henry Threadgill, Joe Lovano, Leroy Jenkins, and many others. A composer of great scope and depth, he has composed over 150 works for chamber groups, jazz ensembles, solo guitar, chamber orchestra and symphony orchestra.

_____________

Jazz at Atlas is a cooperative project of musician, writer and multimedia artist James Keepnews, and music researcher, radio host and Triple Point Records owner/producer Ben Young. Along with presenting performances by world-renowned creative musicians, J@A will also be offering listening sessions, dialogues with artists and classes covering the entire spectrum of creative music in all its varied manifestations around the world and throughout its history.
 


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Laura Noejovich “Laura Has New Standards” Release Concert Presented By The Duplex Saturday, November 2nd 7:00pm

Laura Noejovich “Laura Has New Standards” Release Concert Presented By The Duplex Saturday, November 2nd 7:00pm


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November 1, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

 
Laura Noejovich  
“Laura Has New Standards”
Release Concert Presented By The Duplex Saturday, November 2nd at 7:00pm  

Tickets & Info

A Bright New Singer, Laura Noejovich
Makes Her Debut On
Laura Has New Standards

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LAURA NOEJOVICH “LAURA HAS NEW STANDARDS”

 

 

Label: Enchanted Meadow Records

Artist Website: www.facebook.com/lauragnoejovich

Release Date: NOVEMBER 2, 2019

UPC Code: 888295930697 

Track listing 

1. Why Don’t You Do Right (Kansas Joe McCoy) 

2. Misty (Burke, Garner) 

3. Funny Honey (Kander) 

4. The Fool On the Hill (Lennon, McCartney) 

5. Somewhere Over the Rainbow (Arlen) 

6. Someone to Watch Over Me (Gershwin) 

7. Dreamer’s Ball (May) 

8. Once Upon A Dream (Wildhorn) 

9. On My Own (Schönberg)

10. Summertime (Gershwin)

11. Somewhere Out There (Horner, Mann, Weil)

12. I’m Not That Girl (Schwartz)

13. Wishing You Were Somehow Here Again (A. L. Webber) 

14. When You Wish Upon A Star (Harline, Washington)
 

Musicians: Laura Noejovich -Vocals, Takeshi Asai-Piano
 

Laura Noejovich, who has a very attractive and often-haunting voice, makes her recording debut on Laura Has New Standards. Accompanied by pianist Takeshi Asai, the young singer performs 14 of her favorite songs and displays a great deal of potential. Laura, who studied neuroscience at Skidmore College (graduating in 2018) and currently works as a laboratory associate, was classically trained and had the voice to become an opera singer if that had been her choice. While the technical skills that she acquired from singing opera has resulted in her having a very strong and flexible instrument and knowing how to generate power to maximum effect, throughout Laura Has New Standards she displays skills in several different areas of music. 
 

Throughout this project, Laura is accompanied by pianist Takeshi Asai, who is very tasteful, quietly inventive, and complementary to the singer. He graduated from the Berklee College of Music in 1997 after studying jazz improvisation. Asai has led his own CD since 1995, has had a career that includes writing music for films, and performs with the Japanese jazz ensemble WaFoo. Laura begins the program with a saucy version of “Why Don’t You Do Right” that is topped off with an impressive long note at its conclusion. She displays a sweet personality on “Misty” (the wide intervals are no problem) and, on the playful and vintage-sounding “Funny Honey,” demonstrates that she can play a character very well; one could easily imagine her appearing in musical theater.
 

During “The Fool On The Hill,” Laura sounds like a veteran folk singer. Through her subtle creativity, she makes “Somewhere Over The Rainbow” sound fresh and heartfelt. She gives “Someone To Watch Over Me” (complete with verse) a semi-operatic treatment, and then sings the blues on “Dreamer’s Ball.” The other selections include the quietly dramatic “Once Upon A Dream,” the determined “On My Own,” a powerful rendition of “Summertime,” and tender ballad interpretations of “Somewhere Out There,” “I’m Not That Girl,” Andrew Lloyd Webber’s “Wishing You Were Somehow Here Again,” and the always beloved “When You Wish Upon A Star.”
 

Laura Noejovich shows throughout Laura Has New Standards that she has the potential to become a significant musical force. She is certainly off to a strong start.. 

AVAILABLE FROM: Amazon •CDBaby •iTunes

 

NATIONAL PRESS CAMPAIGN:
JIM EIGO, JAZZ PROMO SERVICES
272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677 

jim@jazzpromoservices.comwww.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

 

 

 

 

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Arturo O’Farrill & the Afro Latin Jazz Orchestra Songs of Love & Resistance Saturday November 2nd 8PM at HOSTOS

Arturo O’Farrill & the Afro Latin Jazz Orchestra Songs of Love & Resistance Saturday November 2nd 8PM at HOSTOS


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November 1, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Tickets & Info

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The 6-time Grammy winners Arturo O’Farrill and the ALJO return to Hostos to perform “Songs of Love & Resistance” utilizing song, spoken word, poetry, rap, and hip-hop in response to our turbulent times. The concert showcases the diverse vocal styles of Ana Tijoux (Chile) and Telmary Díaz (Cuba) as well as the Bronx’s own Caridad De La Luz “La Bruja,” Chilo Cajigas, Rebel Diaz and DJ Logic.

Presented by the Afro Latin Jazz Alliance in parnership with the Hostos Center for the Arts & Culture.

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Made In New York Jazz Cafe Upcoming Events

Made In New York Jazz Cafe Upcoming Events


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October 31, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

AND OF COURSE TONIGHT!!! 

 

Latin Jazz at its best. Come  and enjoy the salsa music played by Ray Santiago and his band. PREFIXED MENU special and Glass of wine on the house!

 

155 5th Ave, Brooklyn, NY 11217, USA
718-640-7000

Share Via:

RSVP ONLINE  
 
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FAMILY & KID’SNEW YEAR’S EVE PARTYFor Kids of All AgesTuesday December, 31st5:00 – 7:00 PM Bite Restaurant

FAMILY & KID’SNEW YEAR’S EVE PARTYFor Kids of All AgesTuesday December, 31st5:00 – 7:00 PM Bite Restaurant


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October 31, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


FAMILY & KID’S
NEW YEAR’S EVE PARTY
For Kids of All Ages
 
Tuesday December, 31st
 
Bite Restaurant
62 West 22nd Street, NYC
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Great “First” New Year’s Eve party for the family and kids of all ages
 
Holiday songs, jazz tunes, kids songs, Lyric books provided for a fun sing-a-long. Dancing, Party hats, noise makers, great food
 
Sam Baum and Friends Jazz Ensemble
 
$20 suggested contribution for musicians
 
RSVP sambaum148@gmail.com       Call 646 649-2768 Reservations
 

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This Weekend:: Celebrate 50 Years of ECM Records

This Weekend:: Celebrate 50 Years of ECM Records


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October 31, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Tickets & Info
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BENDING TOWARDS THE LIGHT … A JAZZ NATIVITY FRIDAY, DEC. 6TH 7PM CHRIST & ST STEPHEN’S CHURCH

BENDING TOWARDS THE LIGHT … A JAZZ NATIVITY FRIDAY, DEC. 6TH 7PM CHRIST & ST STEPHEN’S CHURCH


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October 29, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


BENDING TOWARDS THE LIGHT
A JAZZ NATIVITY
FRIDAY, DEC. 6TH 7PM
CHRIST & ST STEPHEN’S CHURCH  
120 W. 69th ST NYC 10023
 
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Jazz and opera join hands in Bending Towards the Light, the telling of the Nativity story in a thoroughly fresh way. It is an exciting and moving holiday experience for the entire family, composed and arranged by Anne Phillips.  For its fifth consecutive year, the Jazz Nativity is co-produced by Chelsea Opera and the jazz producing company Kindred Spirits. As is the tradition each year, three “star” kings will present the gift of their talent. This year the kings will be Joe Magnarelli on trumpet, Maurice Chestnut as tap king and Houston Person on saxophone. The role of the Shepherd Child will be sung by David Gunwa, a boy soprano from the Newark Boys Chorus School.
 
There will be one performance on Friday, December 6th at 7:00pm at Christ and St. Stephen’s Church (120 West 69th Street, between Broadway and Columbus) NYC. Tickets: Preferred seats: $35 in advance/$45 at the door. General admission: $30 in advance/$40 at the door, Seniors general admission: $20 in advance/$25 at the door, students/ children (any section): $20 in advance/$25 at the door. 
Tickets are available online https://web.ovationtix.com/trs/pr/1016890

For more information visit http://www.chelseaopera.org/events.html for more information or call 212-260-1796. 
 

 

 

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Richie Goods Appearing at Tribeca Performing Arts Center Wednesday, November 13, 2019 @ 7:30 pm

Richie Goods Appearing at Tribeca Performing Arts Center Wednesday, November 13, 2019 @ 7:30 pm


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October 29, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


Tickets & Info
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This E Mail is being sent by:
 
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 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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Rick Savage Plays Miles Davis Sunday, November 10th 4PM Amity Gallery Warwick NY

Rick Savage Plays Miles Davis Sunday, November 10th 4PM Amity Gallery Warwick NY


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October 29, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
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 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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The Broken Reed Saxophone Quartet in Concert Wednesday, Nov. 20th 7 pm @ The National Jazz Museum of Harlem

The Broken Reed Saxophone Quartet in Concert Wednesday, Nov. 20th 7 pm @ The National Jazz Museum of Harlem


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October 29, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

The Broken Reed Saxophone Quartet
in Concert 
Wednesday, November 20th 7 pm

Jenny Hill soprano sax
Charley Gerard alto sax, vocals
Justin Flynn tenor sax
Dimitri Moderbacher baritone sax

@ The National Jazz Museum of Harlem
58 West 129th Street
New York, NY 10027
Admission: Free
www.jazzmuseuminharlem.org

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The BRSQ will perform music by Charley Gerard

Those Who Were commissioned by Chamber Music America with the generous support of the Doris Duke Foundation

&

Music for Colluders 
With guest vocalist Conman Twitter (not his real name), world leader

“Broken Reed is anything but broken. Their sound is full-bodied, harmonically strong and appealing, fresh, light-hearted, festive and yet complex and serious. This is a remarkable group.”
Dr. José E. Cruz, President, Jazz/Latino, Inc.

www.brokenreedsax.com

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This Weekend: Ann Hampton Callaway ‘Jazz Meets Broadway’ @ Jazz Forum!


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This Weekend: Ann Hampton Callaway ‘Jazz Meets Broadway’ @ Jazz Forum!

Jazz Forum<!–


Westchester’s Only Dedicated Jazz Club
• • • • • • • • •
1 Dixon Lane Tarrytown, NY • (914) 631-1000

Buy tickets at jazzforumarts.org today!


This Weekend: November 1 – 3


Ann Hampton Callaway ‘Jazz Meets Broadway’

FRI & SAT • NOV 1 & 2
7 & 9:30 PM

 Tickets going fast! 


As an accomplished, award-winning singer – including a Tony nomination for her Broadway show Swing!– Ann Hampton Callaway has pretty much done it all with the Great American Songbook. She returns to Westchester and also returns to tackle one of her most acclaimed programs, “Jazz Meets Broadway.” Ann’s renowned interpretive brilliance in making familiar material seem startling, new and fresh and her engaging stage presence will be on full display.


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Tommy Campbell Quartet

SUN • NOV 3
4 & 6 PM


When you hear a Tommy Campbell-led group, you’re listening to jazz history. After decades of absorbing amazing lessons from the jazz giants with whom he regularly gigged – Dizzy Gillespie, Sonny Rollins and John McLaughlin, among them – his truly unique and authentic drumming brought awards and global recognition. His expressive range from beautifully sensitive to the powerfully percussive is augmented by creative impulses that never fail to wow his audience.



Next Weekend: November 8 – 10


Houston Person Quartet

FRI & SAT • NOV 8 & 9
7 & 9:30 PM


Nothing, it seems, can stop Houston Person – so here’s a weekend to appreciate the reigning King of the Boss Tenor himself. His tone has gotten bigger even as his delivery has mellowed and rounded out. And, of course, you are likely to hear almost anything in terms of repertoire from Houston, pianist Lafayette Harris, bassist Matthew Parris, and drummer Vince Ector.


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Matthew Parrish Quartet

SUN • NOV 10
4 & 6 PM


Having apprenticed with the great organist Shirley Scott and trombonist Al Grey, Matthew Parris developed into a fine leader, educator and recording artist who has appeared on 65 albums with the likes of Wynton Marsalis, Dee Dee Bridgewater, Paquito D’Rivera and Clark Terry. Now touring with Houston Person, he’ll bring his own quartet here featuring pianist Jim Ridi, drummer Otis Brown III and vocalist Michelle Lordi, whose 2017 album Matthew produced.



Following Weekend: November 15 – 17


David Amram @ 89!

FRI & SAT • NOV 15 & 16
7 & 9:30 PM


One of America’s true musical treasures and a great friend of Jazz Forum Arts, the distinguished composer, musician, conductor, and author David Amram will celebrate his 89th birthday with special guests and good friends. With David’s lifetime of honored achievement in jazz, classical music, film scoring, world music, poetry and so much more, there’s a lot to celebrate and you can join the party.

Featuring Eric Lawrence, Rene Hart, Kevin Twigg, Elliot Peper, Mark Morganelli, Vic Juris (Friday only), Adam Amram (Saturday only) and a Special Surprise Guest!


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Rogerio Boccato Quartet

SUN • NOV 17
4 & 6 PM


New York-based Brazilian percussionist Rogerio Boccato is one of the busiest sidemen on the scene, recording and gigging with the likes of Maria Schneider, Kenny Garrett, John Patitucci, and Fred Hersch. His critically-acclaimed 2018 debut album as a leader, No Old Rain, explored great work of Brazil’s post-bossa nova era and he brings the same sympathetic group to Tarrytown – saxophonist Dan Blake, keyboardist Nando Michelin and bass player Jay Anderson.



Special Event at SOB’s in NYC!




Mark Morganelli & The Jazz Forum All-Stars
Celebrating Brasil! Double-CD!

–––––––––
Friday, November 15
8 & 10 PM

BUY TICKETS AT SOBS.COM


Claudio Roditi Needs Our Help!


Brazilian Trumpet & Flugelhorn Master, Claudio Roditi has been valiantly addressing several health challenges, including prostate cancer in recent months and would really appreciate any financial assistance from the music community.

Bassist John Lee has set up a Go Fund Me campaign, and we encourage all concerned folks to consider contributing to help offset Claudio’s tremendous medical expenses as he continues to fight to restore his health. 

VISIT GOFUNDME PAGE

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Presenting Sponsor

Co-Sponsored by

Partner Organization

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Minton’s Playhouse presents Saturdays JC Hopkins Biggish Band: Jazz and Comedy, Friday Jazz-Star Series and Big Band Sundays

Minton’s Playhouse presents Saturdays JC Hopkins Biggish Band: Jazz and Comedy, Friday Jazz-Star Series and Big Band Sundays


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October 28, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Every Saturday Night at the Legendary Minton’s Playhouse –  JC Hopkins Biggish Band: Jazz and Comedy, Fridays Jazz-Star Series and Big Band Sundays

Grammy nominated band leader JC Hopkins has resumed the programming for the most legendary supper club in the history of jazz: Minton’s Playhouse- Harlem birthplace of bebop. Hopkins’ Biggish Band is at the nucleus of the programming with a weekly Saturday residency that features a ten piece band and an array of stunning up and coming vocalists including Vanisha-Arleen Gould, Joy Hanson, Shawn Whitehorn and Nico Sarbanes. The Biggish Band, whose sound merges Mingus with Billy May, has been fertile ground for great talent such as the likes of Norah Jones, Jazzmeia Horn, Madeleine Peyroux and Brianna Thomas who all have been featured with regularity in the group.

 

 

Every Saturday Night – Jazz and Comedy: JC Hopkins Biggish Band featuring Joy Hanson, Vanisha Gould, Shawn Whitehorn and Nico Sarbanes plus Comedians Vanetta Schofield – Dillon Stevenson

Minton’s Playhouse is bringing back the real supper club experience with the ultra dynamic 10 piece Biggish Band featuring a coterie of stupendous vocalists and hosted hilarious comedians bringing together to classic American art forms: Jazz and Stand up.

 

Fridays: Jazz Star Series

 

Jazz Star Fridays

November 1st – Shawn Whitehorn

November 8th – Karlea Lynne

November 15th – Solomon Hicks

November 22 – Johnny O’Neal

November 29 – Andy Bey

 

Sundays in November 10,17,24

Jason Marshall Big Band

Jason Marshall is a highly sought after and established fixture on the global music landscape. His work for large ensemble can be heard most regularly performed by his critically acclaimed orchestra, the Jason Marshall Big Band.   A rare specimen even among the highly competitive New York City music scene, the Washington D.C. born saxophonist can be seen playing soul music with Aretha Franklin, Latin jazz with Arturo O’Farrill, pop with Desi Di Lauro, avant garde jazz with the Charlie Mingus Big Band, and rock music with the Young Presidents. Also a highly sought after composer and arranger, Mr. Marshall wrote and arranged the modern day classic “Miss Garvey, Miss Garvey!!” which was nominated for a Grammy in 2009.  He has also written and arranged music for the Taipei Jazz Orchestra and the New Orleans Jazz Orchestra.   

  
 

“Minton’s, the Harlem jazz club that has been tightening up its bookings in exciting ways…”

– Ben Ratliff, THE NEW YORK TIMES

 

“There’s a bona fide scene going on these days under the revived Minton’s banner in Harlem, and it includes both notable music and good food…”.*– Larry Blumenfeld, Wall Street Journal*

 

NEW YORK TIMES 

 

J. C. Hopkins Biggish Band (Friday and Saturday) Led by the bandleader, songwriter and producer for which it’s named, the J.C. Hopkins Biggish Band has always been a friend to vocalists, and in this engagement, the group pays a centenary tribute to Billie Holiday. Among the many singers assembled are Brianna Thomas, Charenee Wade, Charles Turner and Jazzmeia Horn. From 6 to 11 p.m., Minton’s, 206 West 118th Street, Harlem,212-243-2222, mintonsharlem.com. (Chinen)

 

ESQUIRE MAGAZINE  

 

At Minton’s, you’re part of the choir. There’s this part in “Moanin'” where—not in the original version but in this one, arranged by JC Hopkins and which his band, JC Hopkins’ Biggish Band, plays—the horn section shouts out, call-and-response style. This night, we get in on it, too. Bum be de BOMP. HEY! Be dop bop be da BOMP. HEY! Bum be de BOMP. HEY! And it’s not anger any longer, but joy.

Biggish Band – A Night at Minton’s Playhouse 

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 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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The Tubes “Special Halloween Show” @ Iridium

The Tubes “Special Halloween Show” @ Iridium


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October 28, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Will’s New York Nite Life


The Tubes “Special Halloween Show”
The Iridium NYC
1650 Broadway, New York, NY 10019
(corner of 51st and Broadway)
October 30 and 31st

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In an abstract sort of way, the Tubes were, in the late ‘70s and early ‘80s, something similar to what the Bonzo Dog Dog Band had been ten years earlier and, for that matter, Spike Jones and his City Slickers, 20 years before that in the 1940s. That is to say, this was a band that poked fun of all the conventions of popular music while, at the same time, actually creating what stands the test of time as remarkable pop music in its own right. As videos from the period reveal (today they would be called “The YouTubes”), the band’s live concerts included elaborate parodies of the period television that they grew up watching in Phoenix in the 1960s (where, they explain, it was too hot to go outside most of the time, so all they ever did was watch TV). More importantly, there are like totally Tubular spoofs on every subgenre of the day, including “Slipped My Disco,” an affectionate homage to the late ‘70s dance scene, while their best known number today, “White Dopes on Punk,” seems to have started as a ribbing of the safety-pin-in-the nose culture of CBGB’s. Yet the best of their songs hold up on their own, especially such paeans to exceptional women like “Sushi Girl” and “Attack of the Fifty Foot Woman.” (“Amnesia” even opens with a reference to Rodgers and Hart.)

For information and reservations, please click here:

 

Welcome! Please subscribe to our blogs and stay informed about the best things to do in New York City.

If you love the Big Apple, be sure to subscribe for the latest happenings in NYC!

Author: Will Friedwald

Will Friedwald writes about music and popular culture for THE WALL STREET JOURNAL, VANITY FAIR and PLAYBOY magazine and reviews current shows for THE CITIVIEW NEW YORK. He also is the author of nine books, including the award-winning A BIOGRAPHICAL GUIDE TO THE GREAT JAZZ AND POP SINGERS, SINATRA: THE SONG IS YOU, STARDUST MELODIES, TONY BENNETT: THE GOOD LIFE, LOONEY TUNES & MERRIE MELODIES, and JAZZ SINGING. He has written over 600 liner notes for compact discs, received ten Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music.

New Books:

THE GREAT JAZZ AND POP VOCAL ALBUMS (Pantheon Books / Random House, November 2017)

SINATRA: THE SONG IS YOU – NEW REVISED EDITION (Chicago Review Press, May 2018)

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
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Warwick, Ny 10990

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The Frank Catalano Quartet Returns to Birdland Jazz Club October 29 and 30

The Frank Catalano Quartet Returns to Birdland Jazz Club October 29 and 30


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October 28, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


The Frank Catalano Quartet
Returns to The Birdland Jazz Club
Tuesday and Wednesday October 29 and 30

Two shows each night
8:30pm and 11pm. 
Frank Catalano on Saxophone
Mike Clark on Drums
Julian Smith on Bass
Randy Ingram on Piano

Tickets & Info

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Birdland welcomes back the Frank Catalano Quartet! October 29th and 30th with Sets at 8:30 and 11pm!
 

Frank Catalano recently finished a successful tour of the United States, France, England and Japan and he will be releasing a series of live recordings on Ropeadope Records in 2017 and 2018. Frank is the new Celebrity Endorser for Drambuie Scotch Liqueur. Frank’s 2016 recording “Bye, Bye, Blackbird” with David Sanborn, Jimmy Chamberlin, Nir Felder and Demos Petropoulos is still charting on Billboard. “God’s Gonna Cut You Down” debuted at #2 on the iTunes Jazz sales chart and was the #1 charting Instrumental album upon its release in April 2015. “Love Supreme Collective” Debuted at #1 on the itunes Jazz Charts in July 2014 and is an homage to John Coltrane featuring Jimmy Chamberlin (Smashing Pumpkins), Percy Jones (Brand X), Chris Poland (Megadeath), and Adam Benjamin (Kneebody). Frank’s Savoy/Columbia recording “Bang!” debuted at #12 on the Billboard Jazz Charts. Frank’s recording, “Mighty Burner” was on the Billboard Charts for 20 straight weeks. Now 40 years old, Catalano is the only known saxman to have performed with Miles Davis, Randy Brecker, Charles Earland, Elvin Jones, Stan Getz, Betty Carter, Von Freeman, Tito Puente, Tony Bennett, Les Claypool and Louis Bellson while still in high school! This led to his signing to Delmark Records at age 18 and a string of critically acclaimed recordings. Catalano has been heard by millions of people all over the world thanks in part to 3 Grammy-winning and 11 Grammy-nominated recordings with artists such as Jennifer Lopez, Destiny’s Child, and John Legend. He has also performed live on the Oprah Winfrey TV show with singer/composer Seal.

 

No stranger to adversity, Frank cut off his right middle finger in an automobile accident. After several surgeries and much effort, Catalano relearned his signature technique, making him one of the most in-demand musicians today. He regularly donates his musical services to the Susan G. Komen Breast Cancer Foundation.

 

Also an entrepreneur, Frank has patented a devise that allows him to control his saxophone via midi components. Yamaha acquired the patent rights and in 2007 they recieved a Special Merit Grammy Award for Technical Achievement. Frank is a spokesperson/clinician/performing artist for companies such as Yamaha, Rico/D’Addario, and JodyJazz. He can be seen in their Print Ads worldwide. Catalano’s songs have been used in the ad campaigns of Motorola, Jaguar, Land Rover, and Drambuie as well as numerous TV and Film productions.

 

When not on tour or in the studio, Frank enjoys composing classical music. Frank graduated from DePaul University with a BA in music composition and he plays piano, drums and flute in addition to the saxophone. Frank’s non-musical interests include classic cars and classic cocktails.

 

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2019 All rights reserved.

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269 State Route 94 South

Warwick, Ny 10990

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Ray Blue Upcoming Live Appearances + New Jazzheads CD “Work”

Ray Blue Upcoming Live Appearances + New Jazzheads CD “Work”


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October 26, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Ray Blue Upcoming Live Appearances
New Jazzheads CD “Work”


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October 26, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
_____________________________________________
October 26, 2019

Ray Blue Jazz N’ Soul Quintet

Alhambra Ball Room
2116 Adam Clayton Powell Blvd.
New York, N.Y.
Time:  3:00 p.m. to 8:00 p.m.
__________________________________________________

October 26, 2019

Danny Dixon Trio

Showman’s Jazz Club
375 w. 125th St.
New York, N.Y.

Time: 9:30 p.m., 11:30 p.m. and 1:30 a.m.
___________________________________________________________

October 31, 2019

Radio Interview at WKCR 88.9 FM. NY – Columbia University
Host: Sharif Abdul Salaam

Time: 6:45 p.m
___________________________________________________________

October 31, 2019

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
_____________________________________________________

November 2, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
_______________________________________________________________________

November 2, 2019

Ray Blue Trio

Ford Piano
Jefferson Valley Mall
650 Lee Blvd.
Yorktown Heights, N.Y.

Time: 2:00 p.m. to 4:00 p.m.
________________________________________________________
November 7, 2019

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
_________________________________________________________________

November 8, 2019

Jazz Foundation of America Concert
Billy Kaye Band
E. 108th St.@5th Ave.
New York, N.Y.

Time: 2:00 p.m. to 3:00 p.m.
___________________________________________________________
November 8, 2019

Ray Blue Quintet – CD Release
Harlem Late Night

Assiniel Restaurant
201 W. 116th St.
New York, N.Y.

Ray Blue – Saxophone
Sharp Radway – Piano
Belden Bullock – Bass
Jeff Barone – Guitar
Steve Johns – Drums 

Time: 9:00 p.m. to 12:00 a.m.
_______________________________________________

November 9, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
___________________________________________________-

November 10, 2019

Harlem Blues and Jazz Band
Alhambra Ball Room
2116 Adam Clayton Powell Blvd.
New York, N.Y.
Time: 5:00 p.m. to 8:00 p.m.
________________________________________________________
November 14, 2019

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
_________________________________________________________

November 16, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
_______________________________________________________

November 17, 2019

Greg Murphy Octet

Fat Cat
75 Christopher St.
New York, N.Y.

Time: 9:00 p.m. to 12:30 a.m.
________________________________________________________

November 18, 2019

Ray Blue Trio

Patrick’s Place
151st @ Frederick Douglas Blvd.
New York, N.Y.

Time: 7:00 p.m. to 11:00 p.m.
__________________________________________________

November 21, 2019

Ray Blue Organ Trio

La Zingara
8 P.T. Barnum Square
Bethel, Connecticut

Time: 8:00 p.m. to 11:00 p.m.
___________________________________________________

November 23, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
_____________________________________________________

November 23, 2019

Lawrence Anthony Band
Hudson Room
23 So. Division St.
Peekskill, N.Y.

Time: 8:00 p.m.
____________________________________________________

November 30, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
____________________________________________________________

November 30, 2019

Ray Blue Quartet

Brownstone Jazz
107 Macon St.

Brooklyn, N.Y. 

Time: 9:00 p.m. to 11:00 p.m.
___________________________________________________

December 2, 2019

CCC Mini Ensemble
City of Peekskill Tree Lighting

Time: 4:00 p.m.
___________________________________________________

December 5, 2019

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
_______________________________________________________-

December 7, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
__________________________________________

December 8, 2019

CCC Jazz Ensemble Christmas Concert
Bean Runner Jazz Cafe

201 So. Division St.
Peekskill, N.Y.

Time: 3:00 p.m. to 5:00 p.m.
________________________________________________________

December 12, 2019

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 

______________________________________________________

December 13, 2019

Jazz Foundation of America Concert
Billy Kaye Band
E. 108th St.@5th Ave.
New York, N.Y.

Time: 2:00 p.m. to 3:00 p.m.
______________________________________________________

December 14, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
________________________________________________________

December 15, 2019

Ray Blue Quartet

Russian Samovar
256 W. 52nd St.
New York, N.Y.

Time: 3:00 p.m. to 7:00 p.m.
__________________________________________________

December 18, 2019

Ray Blue Quintet

Smalls Jazz Club
183 W. 10th St.
New York, N.Y. 

Time: 7:30 p.m. to 9:30 p.m.
____________________________________________________

December 19, 2019

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
___________________________________________________

December 21, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
________________________________________________

December 21, 2019

Ray Blue Quartet Christmas Show

Bean Runner Jazz Cafe
201 So. Division St.
Peekskill, N.Y. 10566

Time: 8:00 p.m. to 11:00 p.m.
________________________________________________________________

December 26, 2019

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
__________________________________________________________

December 28, 2019

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
___________________________________________________________

January 2, 2020

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
__________________________________________________________

January 4, 2020

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
____________________
January 5, 2020

Ray Blue Quintet

PJS Jazz Society
199  Columbus Ave.
Mt. Vernon, N.Y.

Ray Blue Saxophone
Sharp Radway – Piano
Essiett Okon Essiett – Bass
Alvester Garnett – Drums

Time: 6:00 p.m. to 9:00 p.m.
_______________________________________________________

January 9, 2020

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
__________________________________________________________

January 10, 2020 

Jazz Foundation of America Concert
Billy Kaye Band
E. 108th St.@5th Ave.
New York, N.Y.

Time: 2:00 p.m. to 3:00 p.m.
__________________________

January 11, 2020

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
________________________________________________

January 16, 2020

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
__________________________________________________________

January 18, 2020

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
_______________________________

January 20, 2020

Ray Blue Trio

Quinn’s
330 Main St.
Beacon, N.Y.

Time: 8:00 p.m. to 11:00 p.m.
______________________________________________________

January 23, 2020

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 
__________________________________________________________

January 25, 2020

Jazz Education Workshop

Peekskill, N.Y.

Time: 9:00 am to 11.00 am

11:30 am to 1:30 p.m.
_______________________________

January 30, 2020

Ray Blue Organ Quartet

American Legion
248 W. 132nd St.
New York, N.Y.

Ray Blue – Saxophone
Greg Lewis – Organ
Kahlil Kwame Bell – Drums
Beverly Crosby – Vocal

Time: 7:00 p.m. – 10:00 p.m. 

Here’s What The Press Is Saying About Ray Blue’s New CD “Work”

 

“Ray Blue is a tenor saxophonist with a big tone with a pleasant-sounding and satisfying approach to the music he plays…”

Peter Giroux – Audioaudition
 

“The tenor-saxophonist Ray Blue breathes energy and optimism on the cover song of

his new album, entitled Work. The most curious thing is that his music leaves the same

impression.”

Leonid Auskern – Jazzquad Russia
 

There’s nothing quite like the comforting warmth of tenor saxophone front and

center…Ray Blue’s fluid, lyrical style is technically solid… The exquisite, evocative melodies

are delivered with convincing feeling and emotion

Joe Ross – Roots Music Report
 

“RAY BLUE: Leading with a deep, full tone, this sax man keeps it light and bouncy… Killer stuff that’s just so much fun…he puts his sure fingered stamp on it.”

Chris Spector – Midwest Record
 

“Hip to the max tenor sax Ray Blue – WORK: Ray’s playing is the ultimate in hip to the max tenor sax…”

Rotcod Zzaj – Contemporary Fusion Review
 

“…guided by the warm sound of the leader’s tenor sax…a follower of tradition that

exudes swing from every note, able to invent melodies as well as colleagues from the

past, to create stories that are always different, full of fantasy.

Vittorio Lo Conte – Music Zoom, Italy
 

“The songs on “Work” demonstrate an enthusiasm for old-school jazz and a swinging style. Blue’s approach finds him making his tenor sax sound like a baritone, and creating soundscapes that erase the present day, and transport listeners back in time through sound. Blue’s saxophone takes on the lyrical line, but the effect is smooth not just bleating notes per word…there is an art to the interpretation…Together, the musicians bring to life the approaches to jazz that have not been heard in decades and are a must-hear for new and veteran jazz fans.”

Dodie Miller-Gould – Napcloud Review
 

Tenor saxophonist Ray Blue owns a deep tone and melodic style that makes this recording a smooth and inviting experience with his quietly creative music. This is a selection of songs performed with sensitivity and creativity – a very fine jazz collection.

Grady Harp – Amazon Review

“A soulful performance with varied repertoire, Ray Blue’s “Work” offers novel arrangements and creative musical expression.”

Joe Ross – Roots Music Report


Ray Blue “WORK” (
Jazzheads JH1235) Street Date: October 12, 2019
Ray Blue – Tenor Sax,   Ron Wilkins – Trombone,  Neil Clark – Percussion,  Steve Johns – Drums,  Essiet Okon Essiet – Bas,s  Belden Bullock – Bass , Jeff Barone –  Guitar,  Sharp Radway – Piano,  Kirk Lightsey – Piano,  Benito Gonzalez – Piano 
UPC – 009818123528

 Track Listing:

1. WORK 4:22 

2. LIFT EVERY VOICE AND SING 2:13 

3. MY FRIEND AND I TOOK A WALK 4:17 

4. SWEET EMMA 4:04 

5. THAT’S ALL 8:25 

6. MELLOW MOOD 5:05 

7. AMSTERDAM AFTER DARK 6:46 

8. TEACH ME TONIGHT 5:24 

9. DON’T KNOW WHY 4:21

10. OUR DAY WILL COME 4:24

11. EVERYTHING HAPPENS TO ME 4:52

12. ATTITUDE 4:31

13. THAT’S ALL (DUO) 5:52

Total time: 64:11
 

The New York based tenor saxophonist Ray Blue, who has a deep tone and a melodic style, is featured on WORK, a set of accessible yet quietly creative music. The program mixes together three of his originals with surprising versions of standards and lesser known but superior jazz songs. He and Randy Klein, head of Jazzheads Music Group, worked diligently to achieve the appealing Old School feel and sound that Blue’s listeners want to hear.
 

Blue teams up with three pianists (Sharp Radway, Kirk Lightsey and Benito Gonzalez), guitarist Jeff Barone, bassist Essiet Okon Essiet, drummer Steve Johns and, on three songs apiece, the rambunctious trombonist Ron Wilkins and percussionist Neil Clark. Starting with the exuberant “Work,” the program includes such surprises as an uptempo transformation of “Lift Every Voice And Sing,” two versions of “That’s All” (including a duet with pianist Lightsey), a playful rendition of “Don’t Know Why,” and a cooking “Everything Happens To Me” which is normally taken as a slow ballad. Blue, displaying a large tone that almost sounds like a baritone in spots, is heard at his best on his original ballad “My Friend And I Took A Walk” and “Our Day Will Come” which benefits from a shuffle rhythm. Trombonist Wilkins is quite boisterous on Nat Adderley’s soulful “Sweet Emma,” the Jimmy Smith minor blues “Mellow Mood,” and George Coleman’s “Amsterdam After Dark.” Another highpoint is Blue’s “Attitude” which, after an energized and surprising melody, becomes a hot swinger that features the composer.
 

Ray Blue has been an important saxophonist for the past 20 years, leading his own CDs on a regular basis since 2001. Among those who he has worked with through the years have been  John Gilmore, Art Davis, Ted Curson, Benny Powell, Eddie Henderson, Steve Turre, Wycliff Gordon, Bernard Purdie, Harold Mabern, Kirk Lightsey and the Sun Ra Arkestra. The saxophonist, who has appeared at many international jazz festivals, has also been an influential educator and is the founder of Cross-Cultural Connection, Inc. a non-profit organization that promotes jazz culture, performance and education.
 

WORK is one of Ray Blue’s most enjoyable outings to date, a melodic set that will appeal to a large audience, especially those who enjoy the Old School swinging jazz style and sound.

Available Worldwide: Amazon, iTunes, Believe Digital, Spotify and more 

www.jazzheads.com info@jazzheads.com • Phone: 212-580-9065

www.rayblue.com

 

NATIONAL PRESS CAMPAIGN:
JIM EIGO, JAZZ PROMO SERVICES
272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677 

jim@jazzpromoservices.com www.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

NATIONAL RADIO CAMPAIGN:
MICHAEL CARLSON 

mcpro@earthlink.net 

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


Unsubscribe | Update your profile | Forward to a friend

PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

Copyright (C) 2019 All rights reserved.

Jazz Promo Services

269 State Route 94 South

Warwick, Ny 10990

Add us to your address book

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Fostina Dixon The Vertical Alignment Tour

Fostina Dixon The Vertical Alignment Tour


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October 25, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Fostina Dixon The Vertical Alignment Tour

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FOSTINA DIXON “VERTICAL ALIGNMENT”

Artist: FOSTINA DIXON 

Title: VERTICAL ALIGNMENT

Label: SELF PRODUCED

Release Date: NOVEMBER 1, 2019 

UPC Code: 888295911153

Produced By: AL TURNER 

Track listing 
 

Fostina Dixon Vertical Alignment 
 
Produced By Al Turner 
 
1.Good Vibes*
Fostina Dixon: Alto Sax
Featuring Al Turner on bass
Written By Al Turner
Publishing: Frenotes ASCAP
Al Turner: Bass, Keyboards, Drums & Percussion
Monty Q. Pollard: Piano
Mike “Big Mike” Hart: Guitar
 
2.More *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards, Drums & Percussion
Monty Q. Pollard: Piano

Ray Chew – Keyboards/Programming/Neck Brace
 
3.Vertical Alignment *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Ron Otis: Drums
Charles Scales: Keyboards
Joe Foster: Guitar
 
4.The Best Is Yet To Come ****
Fostina Dixon: Soprano Sax
Jeffrey Murrell: Lead Vocals
Music by: Herb Middleton
Vocals : Jeff Murrell. Wado Brown “Petawayne” 
Keyboard & Drum Programming : Herb Middleton 
Bass Guitar : Herb Middleton 
Lyrics : Wado Brown, Jeff Murrell, Herb Middleton 
Publishing: Big Herb’s Music/BMI , Jeff Murrell Music/BMI 
Fossiebear Music Publishing/BMI
 
5.Thank You *
Fostina Dixon: Alto & Baritone Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Rick Watford: Guitar
 
6.Neckbrace ***
Fostina Dixon: Alto Sax
Featuring Ray Chew
Written By Ray Chew
Produced by Ray Chew
Publishing: Charu Music/BMI
Ray Chew: All Other Instruments
 
7.I’ll Always Remember *
Fostina Dixon: Soprano Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Jon Dixon: Piano
Mike “Big Mike” Hart: Guitar
JJ Evans: Vocals & Vocal Arrangement 
Jeff Murrell: Vocals
 
8.Strutt’n Down Fulton Street**
Fostina Dixon: Alto Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing?BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Gary Johnson: Guitar
 
9.Strutt Sum Mo *
Fostina Dixon: Alto Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Wayne Gerard: Guitar
 
10.Blessing Me Now *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion
Kali Douglas: Piano & Organ
Ron Otis: Drums
Leroy Hyter: String Arrangement 
 
 
11.He Is Risen *
Fostina Dixon: Soprano Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner Bass, Keyboards, Percussion & Guitar
Monty Q. Pollard: Piano
Jeff Canady: Drums
 
 
Recording Engineers: Bill Harris & Al Turner 
Assistant Engineer: Todd Kilgoe 
 
All Songs Mixed By: Carl Robinson * 
Except: Strutt’n Down Fulton Street Mixed By
Derrick Homes **
Neck Brace Mixed By Ray Chew ***
The Best Is Yet To Come Produced and Mixed By Herb Middleton ****
Engineered by Todd Kilgoe ****
 
Mastered By: Peter Humphreys
 
Fostina Dixon pictures by Marlon McNeil Sr. 

Musicians: Fostina Dixon: Alto, Soprano & Baritone Sax, Al Turner: Bass, Keyboards, Drums & Percussion, Monty Q. Pollard: Piano, Mike “Big Mike” Hart: Guitar, Ron Otis: Drums, Charles Scales: Keyboards, Joe Foster: Guitar, Background Vocals : Jeff Murrell. Wado Brown “Petawayne” Keyboard & Drum Programming : Herb Middleton, Bass Guitar : Herb Middleton + Others.
 

One of the few female jazz instrumentalists to front her own band, Winds of Change, the saxophonist, composer, vocalist and educator’s comeback album in 2016, “Here We Go Again” has garnered complimentary reviews. The single “Vertical Alignment” released the beginning of 2019, made the Smooth Jazz Network Charts multiple weeks. This new CD Vertical Alignment, which features original materials and multiple talented musicians, is making great impressions, getting much praise with musicians, and creating a buzz in the music business. It hits the depth of your soul. There is no holding back or compromise of interpretation or expression. Fostina’s unique improvisational style shows her experience in playing all genres of music. Her producers Al Turner and Ray Chew add even more flare to these original compositions. After a storied early career that included playing alongside such Jazz greats as Abbey Lincoln, Melba Liston, Frank Foster, James “Blood” Ulmer, Tom Browne, Roy Ayers, and playing in the Gerald Wilson Big Band, touring with Marvin Gaye, and many other experiences too vast to mention, Fostina has made significant contributions to the arts and education scenes. Fostina received a Christi Award for her contributions to promoting the arts in the community, an Outstanding Arts Educator award from the Delaware Board of Education, and an Outstanding Contributor award from the Council of Jazz Advocates for her work as an arts educator, and is the Founder and longtime Executive Director of the Wilmington Youth Jazz Band. 
 

It’s my honor to represent Fostina on this CD. She should take her place among jazz superstars. Love the sax interplay on the two vocals, “Best Is Yet To Come,” and “I’ll Always Remember.” Reminds me of the great jazz legend Grover Washington Jr. 

—Lloyd Z. Remick Esq. 

 

AVAILABLE FROM:
www.fostinadixon.com

www.store.cdbaby.com/cd/fostinadixon4

 

 

MEDIA CONTACT:
JIM EIGO, JAZZ PROMO SERVICES
 272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677 

jim@jazzpromoservices.comwww.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Fostina Dixon The Vertical Alignment Tour

Fostina Dixon The Vertical Alignment Tour


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October 25, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Fostina Dixon The Vertical Alignment Tour

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FOSTINA DIXON “VERTICAL ALIGNMENT”

Artist: FOSTINA DIXON 

Title: VERTICAL ALIGNMENT

Label: SELF PRODUCED

Release Date: NOVEMBER 1, 2019 

UPC Code: 888295911153

Produced By: AL TURNER 

Track listing 
 

Fostina Dixon Vertical Alignment 
 
Produced By Al Turner 
 
1.Good Vibes*
Fostina Dixon: Alto Sax
Featuring Al Turner on bass
Written By Al Turner
Publishing: Frenotes ASCAP
Al Turner: Bass, Keyboards, Drums & Percussion
Monty Q. Pollard: Piano
Mike “Big Mike” Hart: Guitar
 
2.More *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards, Drums & Percussion
Monty Q. Pollard: Piano

Ray Chew – Keyboards/Programming/Neck Brace
 
3.Vertical Alignment *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Ron Otis: Drums
Charles Scales: Keyboards
Joe Foster: Guitar
 
4.The Best Is Yet To Come ****
Fostina Dixon: Soprano Sax
Jeffrey Murrell: Lead Vocals
Music by: Herb Middleton
Vocals : Jeff Murrell. Wado Brown “Petawayne” 
Keyboard & Drum Programming : Herb Middleton 
Bass Guitar : Herb Middleton 
Lyrics : Wado Brown, Jeff Murrell, Herb Middleton 
Publishing: Big Herb’s Music/BMI , Jeff Murrell Music/BMI 
Fossiebear Music Publishing/BMI
 
5.Thank You *
Fostina Dixon: Alto & Baritone Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Rick Watford: Guitar
 
6.Neckbrace ***
Fostina Dixon: Alto Sax
Featuring Ray Chew
Written By Ray Chew
Produced by Ray Chew
Publishing: Charu Music/BMI
Ray Chew: All Other Instruments
 
7.I’ll Always Remember *
Fostina Dixon: Soprano Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Jon Dixon: Piano
Mike “Big Mike” Hart: Guitar
JJ Evans: Vocals & Vocal Arrangement 
Jeff Murrell: Vocals
 
8.Strutt’n Down Fulton Street**
Fostina Dixon: Alto Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing?BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Gary Johnson: Guitar
 
9.Strutt Sum Mo *
Fostina Dixon: Alto Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion 
Monty Q. Pollard: Piano
Jeff Canady: Drums
Wayne Gerard: Guitar
 
10.Blessing Me Now *
Fostina Dixon: Alto Sax
Written by Todd Kilgoe
Publishing: Fossiebear Music Publishing/BMI
Al Turner: Bass, Keyboards & Percussion
Kali Douglas: Piano & Organ
Ron Otis: Drums
Leroy Hyter: String Arrangement 
 
 
11.He Is Risen *
Fostina Dixon: Soprano Sax
Written by Fostina Dixon
Publishing: Fossiebear Music Publishing/BMI
Al Turner Bass, Keyboards, Percussion & Guitar
Monty Q. Pollard: Piano
Jeff Canady: Drums
 
 
Recording Engineers: Bill Harris & Al Turner 
Assistant Engineer: Todd Kilgoe 
 
All Songs Mixed By: Carl Robinson * 
Except: Strutt’n Down Fulton Street Mixed By
Derrick Homes **
Neck Brace Mixed By Ray Chew ***
The Best Is Yet To Come Produced and Mixed By Herb Middleton ****
Engineered by Todd Kilgoe ****
 
Mastered By: Peter Humphreys
 
Fostina Dixon pictures by Marlon McNeil Sr. 

Musicians: Fostina Dixon: Alto, Soprano & Baritone Sax, Al Turner: Bass, Keyboards, Drums & Percussion, Monty Q. Pollard: Piano, Mike “Big Mike” Hart: Guitar, Ron Otis: Drums, Charles Scales: Keyboards, Joe Foster: Guitar, Background Vocals : Jeff Murrell. Wado Brown “Petawayne” Keyboard & Drum Programming : Herb Middleton, Bass Guitar : Herb Middleton + Others.
 

One of the few female jazz instrumentalists to front her own band, Winds of Change, the saxophonist, composer, vocalist and educator’s comeback album in 2016, “Here We Go Again” has garnered complimentary reviews. The single “Vertical Alignment” released the beginning of 2019, made the Smooth Jazz Network Charts multiple weeks. This new CD Vertical Alignment, which features original materials and multiple talented musicians, is making great impressions, getting much praise with musicians, and creating a buzz in the music business. It hits the depth of your soul. There is no holding back or compromise of interpretation or expression. Fostina’s unique improvisational style shows her experience in playing all genres of music. Her producers Al Turner and Ray Chew add even more flare to these original compositions. After a storied early career that included playing alongside such Jazz greats as Abbey Lincoln, Melba Liston, Frank Foster, James “Blood” Ulmer, Tom Browne, Roy Ayers, and playing in the Gerald Wilson Big Band, touring with Marvin Gaye, and many other experiences too vast to mention, Fostina has made significant contributions to the arts and education scenes. Fostina received a Christi Award for her contributions to promoting the arts in the community, an Outstanding Arts Educator award from the Delaware Board of Education, and an Outstanding Contributor award from the Council of Jazz Advocates for her work as an arts educator, and is the Founder and longtime Executive Director of the Wilmington Youth Jazz Band. 
 

It’s my honor to represent Fostina on this CD. She should take her place among jazz superstars. Love the sax interplay on the two vocals, “Best Is Yet To Come,” and “I’ll Always Remember.” Reminds me of the great jazz legend Grover Washington Jr. 

—Lloyd Z. Remick Esq. 

 

AVAILABLE FROM:
www.fostinadixon.com

www.store.cdbaby.com/cd/fostinadixon4

 

 

MEDIA CONTACT:
JIM EIGO, JAZZ PROMO SERVICES
 272 State Route 94 South #1, Warwick, NY 10990-3363

Ph: 845-986-1677 

jim@jazzpromoservices.comwww.jazzpromoservices.com

“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Copyright (C) 2019 All rights reserved.

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269 State Route 94 South

Warwick, Ny 10990

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The 30th New York Cabaret Convention @ Rose Hall, Jazz at Lincoln Center

The 30th New York Cabaret Convention @ Rose Hall, Jazz at Lincoln Center


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October 25, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Will’s New York Nite Life

The 30th New York Cabaret Convention
Presented by the Mabel Mercer Foundation
Rose Theater,
Jazz at Lincoln Center’s Frederick P. Rose Hall
Broadway at 60th St, New York
Monday October 28 through Thursday October 31

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How well I remember my first Cabaret Convention!  Yes, of course, my nanny wheeled me there in my perambulator while Mater and Pater were off playing croquet with Averell Harriman, Kemal Atatürk, and Juan Trippe. Well, actually, it must have been the first or second year, when the annual convention was still situated in the Town Hall. I brought along a certain co-ed as my date, and while I couldn’t tell you exactly who I heard on that first time, I do remember that in those early years, Donald Smith, who founded the Mabel Mercer Foundation and produced and hosted the convention, tended to program each evening like a marathon. In fact, it felt something like what Cast Party at Birdland does today: there was a kind of rambling, all-inclusive, epic randomness to the four evenings. My date announced that she’d had enough by intermission, but I was hooked. Some performers were awesome, a few were awful, and maybe a couple were predictable, but there was always that thrill, that anticipation, of hearing something new, some new song, some young artist, some wonderful talent that you’d never heard before and that you’d be thinking about for days afterwards.

It’s a whole new convention these days – now that this venerable institution is turning 30 – and is now being run by the Foundation’s Madame Chairwoman, KT Sullivan. Ms. Sullivan and her occasional guest producer-hosts (like Deborah Grace Winer, Klea Blackhurst & John Fricke, Andrea Marcovicci & Jeff Harnar), who keep most of the evenings under two hours – long enough for any but the most patient and extreme devotees and aficionados. But one thing that hasn’t changed is that I still look forward to hearing some new talent, especially among from the much younger set.
 

To open the 30th Anniversary extravaganza, Ms. Winer hosts an evening dedicated to great female songwriters (and she should know, she wrote the book on Dorothy Fields, among the most imposing of all lyricists of either gender), on Monday October 28.
 

There’s always at least one composer-centric evening, and this year that’s Tuesday October 29, “Frank Loesser: Heart and Soul” (sometimes it seems like every Frank Loesser tribute is called “Heart and Soul,” which is somewhat ironic in that few people even realize that he actually wrote the lyrics to that song – or are even aware that there are lyrics) cohosted by Miss Marcovicci and Mr. Harnar.

The third night, “Judy: A Garland of Song,” jumps the gun on the Garland centennial in 2022, is co-hosted by Garland biographer John Fricke and the invaluable Klea Blackhurst, who is somehow playing “Panama Hattie” in the 1940 Cole Porter show of that title at the York Theater during this same week.  (If I were a Frank Loesser character from Guys and Dolls, I would say, “Who wants to give me odds that Rene Zellweger will make a surprise appearance?”)
 

Finally, this year, Madame Chairwoman herself, KT Sullivan, is hosting the final night rather than the first, but since it’s a look backwards at the first 30 years, that seems only appropriate.
 

Each show is a combination of old friends and regulars, like Eric Comstock and Barbara Fasano, Marilyn Maye, Liz Callaway, Mark Nadler, Karen Oberlin, and Steve Ross, but we also look forward to the debuts, some of which are veteran artists from other disciplines, like Broadway’s Emily Skinner and the pop star Debbie Boone (also the daughter-in-law of the great Rosemary Clooney), as well as the formidable mezzo-soprano Stephanie Blythe, who more customarily enchants audiences around the corner from Rose Hall at the Metropolitan Opera. And yet many of the most anticipated debuts are from talent competition winners, such as Anais Reno (15) and Hannah Jane Peterson (18), two remarkable young singers one should keep an eye on – whose parents hadn’t even reached the age of consent at the time of the first Mabel Mercer Convention in 1989.
 

To be honest, part of me misses those early, wild-and-woolly days, but I have to admit that, in my advanced middle age (don’t snicker!) I’m much more comfortable with the current policy, in which every artist has earned the explicit approval of Madame Chairwoman. And, I have to say, this approach is a lot more pleasing to my current guests.

For information and reservations, please click here:

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Author: Will Friedwald

Will Friedwald writes about music and popular culture for THE WALL STREET JOURNAL, VANITY FAIR and PLAYBOY magazine and reviews current shows for THE CITIVIEW NEW YORK. He also is the author of nine books, including the award-winning A BIOGRAPHICAL GUIDE TO THE GREAT JAZZ AND POP SINGERS, SINATRA: THE SONG IS YOU, STARDUST MELODIES, TONY BENNETT: THE GOOD LIFE, LOONEY TUNES & MERRIE MELODIES, and JAZZ SINGING. He has written over 600 liner notes for compact discs, received ten Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music.

New Books:

THE GREAT JAZZ AND POP VOCAL ALBUMS (Pantheon Books / Random House, November 2017)

SINATRA: THE SONG IS YOU – NEW REVISED EDITION (Chicago Review Press, May 2018)

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Warwick, Ny 10990

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Arturo O’Farrill & the Afro Latin Jazz Orchestra Songs of Love & Resistance Saturday November 2nd 8PM at HOSTOS

Arturo O’Farrill & the Afro Latin Jazz Orchestra Songs of Love & Resistance Saturday November 2nd 8PM at HOSTOS


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October 25, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Tickets & Info

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The 6-time Grammy winners Arturo O’Farrill and the ALJO return to Hostos to perform “Songs of Love & Resistance” utilizing song, spoken word, poetry, rap, and hip-hop in response to our turbulent times. The concert showcases the diverse vocal styles of Ana Tijoux (Chile) and Telmary Díaz (Cuba) as well as the Bronx’s own Caridad De La Luz “La Bruja,” Chilo Cajigas, Rebel Diaz and DJ Logic.

Presented by the Afro Latin Jazz Alliance in parnership with the Hostos Center for the Arts & Culture.

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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The Frank Catalano Quartet Returns to Birdland Jazz Club October 29 and 30

The Frank Catalano Quartet Returns to Birdland Jazz Club October 29 and 30


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October 25, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com


The Frank Catalano Quartet
Returns to The Birdland Jazz Club
Tuesday and Wednesday October 29 and 30

Two shows each night
8:30pm and 11pm. 
Frank Catalano on Saxophone
Mike Clark on Drums
Julian Smith on Bass
Randy Ingram on Piano

Tickets & Info

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Birdland welcomes back the Frank Catalano Quartet! October 29th and 30th with Sets at 8:30 and 11pm!
 

Frank Catalano recently finished a successful tour of the United States, France, England and Japan and he will be releasing a series of live recordings on Ropeadope Records in 2017 and 2018. Frank is the new Celebrity Endorser for Drambuie Scotch Liqueur. Frank’s 2016 recording “Bye, Bye, Blackbird” with David Sanborn, Jimmy Chamberlin, Nir Felder and Demos Petropoulos is still charting on Billboard. “God’s Gonna Cut You Down” debuted at #2 on the iTunes Jazz sales chart and was the #1 charting Instrumental album upon its release in April 2015. “Love Supreme Collective” Debuted at #1 on the itunes Jazz Charts in July 2014 and is an homage to John Coltrane featuring Jimmy Chamberlin (Smashing Pumpkins), Percy Jones (Brand X), Chris Poland (Megadeath), and Adam Benjamin (Kneebody). Frank’s Savoy/Columbia recording “Bang!” debuted at #12 on the Billboard Jazz Charts. Frank’s recording, “Mighty Burner” was on the Billboard Charts for 20 straight weeks. Now 40 years old, Catalano is the only known saxman to have performed with Miles Davis, Randy Brecker, Charles Earland, Elvin Jones, Stan Getz, Betty Carter, Von Freeman, Tito Puente, Tony Bennett, Les Claypool and Louis Bellson while still in high school! This led to his signing to Delmark Records at age 18 and a string of critically acclaimed recordings. Catalano has been heard by millions of people all over the world thanks in part to 3 Grammy-winning and 11 Grammy-nominated recordings with artists such as Jennifer Lopez, Destiny’s Child, and John Legend. He has also performed live on the Oprah Winfrey TV show with singer/composer Seal.

 

No stranger to adversity, Frank cut off his right middle finger in an automobile accident. After several surgeries and much effort, Catalano relearned his signature technique, making him one of the most in-demand musicians today. He regularly donates his musical services to the Susan G. Komen Breast Cancer Foundation.

 

Also an entrepreneur, Frank has patented a devise that allows him to control his saxophone via midi components. Yamaha acquired the patent rights and in 2007 they recieved a Special Merit Grammy Award for Technical Achievement. Frank is a spokesperson/clinician/performing artist for companies such as Yamaha, Rico/D’Addario, and JodyJazz. He can be seen in their Print Ads worldwide. Catalano’s songs have been used in the ad campaigns of Motorola, Jaguar, Land Rover, and Drambuie as well as numerous TV and Film productions.

 

When not on tour or in the studio, Frank enjoys composing classical music. Frank graduated from DePaul University with a BA in music composition and he plays piano, drums and flute in addition to the saxophone. Frank’s non-musical interests include classic cars and classic cocktails.

 

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Bennett Paster Indivisibleat Rockwood Music Hall, Stage 3 (11/14)

Bennett Paster Indivisibleat Rockwood Music Hall, Stage 3 (11/14)


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October 24, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Bennett Paster Indivisible
at Rockwood Music Hall, Stage 3 (11/14)


New CD

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Bennett Paster’s June, 2019 release Indivisible has been garnering critical reviews in the press and has been playing on over 20 college and public radio stations, charting in the jazz top 10 on several stations.  The band’s next performance is Thursday, November 14th at Rockwood Music Hall, Stage 3 at 8:30pm.  Join them for one long set of original fun, groove jazz from the CD.

 

“A very fine keyboardist and pianist, Bennett Paster grows by leaps and bounds with every project.  On his new CD Indivisible, he doesn’t synthesize his influences, but rather turns every composition into his own private vision of blues, mainstream jazz, funk, New Orleans and beyond… He displays bebop sensibilities while reserving the best of his immense talents for a sense of teamwork.”    (MGN, Hot House Magazine, June 2019)

 

Thursday, November 14

Rockwood Music Hall, Stage 3, 8:30-10pm

185 Orchard St, New York, NY 10002

$15

Tickets: https://www.eventbrite.com/e/71704781933/

 

Bennett Paster keyboards

Jeff Hanley bass

Tony Mason drums

Al Street guitar

Kenny Brooks tenor sax

Todd Isler percussion

 

“Deeply moving grooving jazz”  
(Dick Metcalf, Contemporary Fusion Reviews)

 

BENNETT PASTER “Indivisible”
(Self Produced) Street Date: May 3, 2019

BENNETT PASTER- KEYBOARDS, JEFF HANLEY- BASS, 
TONY MASON- DRUMS, AL STREET- GUITAR, 
KENNY BROOKS- TENOR SAX,  SAMUEL TORRES- CONGAS & PERCUSSION,
TODD ISLER- PERCUSSION
http://www.bennettpaster.com/

 

Media Contact:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/

 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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Few Tickets Remain: Veronica Swift @ Jazz Forum!


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Few Tickets Remain: Veronica Swift @ Jazz Forum!

Jazz Forum<!–


Westchester’s Only Dedicated Jazz Club
• • • • • • • • •
1 Dixon Lane Tarrytown, NY • (914) 631-1000

Buy tickets at jazzforumarts.org today!


This Weekend: October 25 – 27


Veronica Swift

FRI & SAT • OCT 25 & 26
7 & 9:30 PM

 

SATURDAY 7 PM SOLD OUT


She may be in her mid-20s, but Veronica Swift’s vocal prowess and astonishing scat singing reveal a soulful maturity infusing her youthful passion. This remarkable mix earned second place in the 2015 Thelonious Monk Jazz Competition. Little wonder: Veronica’s been singing jazz since childhood and first recorded at age 9. She’s been headlining major jazz venues behind her new album, Confessions, which All About Jazz gave 4 ½ stars.


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Kenia Ashby – Brazilian Jazz!

SUN • OCT 27
4 & 6 PM


Born in the Rio de Janeiro suburb of Nova Iguaçu, Kenia Ashby has long been renowned for her ability to translate the complex rhythms of her Brazilian homeland into jazzy creations. Her many CDs and highly engaging live performances display a mastery to communicate in multiple languages, Portuguese, English and Spanish. Kenia’s voice embodies the best of the Brazilian sound – deep and sultry, richly diverse, and unexpectedly explosive.



Next Weekend: November 1 – 3


Ann Hampton Callaway ‘Jazz Meets Broadway’

FRI & SAT • NOV 1 & 2
7 & 9:30 PM


As an accomplished, award-winning singer – including a Tony nomination for her Broadway show Swing!– Ann Hampton Callaway has pretty much done it all with the Great American Songbook. She returns to Westchester and also returns to tackle one of her most acclaimed programs, “Jazz Meets Broadway.” Ann’s renowned interpretive brilliance in making familiar material seem startling, new and fresh and her engaging stage presence will be on full display.


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Tommy Campbell Quartet

SUN • NOV 3
4 & 6 PM


When you hear a Tommy Campbell-led group, you’re listening to jazz history. After decades of absorbing amazing lessons from the jazz giants with whom he regularly gigged – Dizzy Gillespie, Sonny Rollins and John McLaughlin, among them – his truly unique and authentic drumming brought awards and global recognition. His expressive range from beautifully sensitive to the powerfully percussive is augmented by creative impulses that never fail to wow his audience.



Following Weekend: November 8 – 10


Houston Person Quartet – Birthday Celebration!

FRI & SAT • NOV 8 & 9
7 & 9:30 PM


Nothing, it seems, can stop Houston Person, who celebrates his 85th birthday on Nov 10 – so here’s a weekend to celebrate with the reigning King of the Boss Tenor himself. His tone has gotten bigger even as his delivery has mellowed and rounded out. And, of course, you are likely to hear almost anything in terms of repertoire from Houston, pianist Lafayette Harris, bassist Matthew Parris, and drummer Vince Ector.


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Matthew Parrish Quartet

SUN • NOV 10
4 & 6 PM


Having apprenticed with the great organist Shirley Scott and trombonist Al Grey, Matthew Parris developed into a fine leader, educator and recording artist who has appeared on 65 albums with the likes of Wynton Marsalis, Dee Dee Bridgewater, Paquito D’Rivera and Clark Terry. Now touring with Houston Person, he’ll bring his own quartet here featuring pianist Jim Ridi, drummer Otis Brown III and vocalist Michelle Lordi, whose 2017 album Matthew produced.



Special Event at SOB’s in NYC!




Mark Morganelli & The Jazz Forum All-Stars
Celebrating Brasil! Double-CD!

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Friday, November 15
8 & 10 PM

BUY TICKETS AT SOBS.COM

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Presenting Sponsor

Co-Sponsored by

Partner Organization

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“Choro Festival 2019 ” November 13th – 8PM – Opera Center America


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“Choro Festival 2019 ” November 13th – 8PM – Opera Center America

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Brazilian Music Foundation 5th-Annual International Choro Festival<!–




Brazilian Music Foundation is proud to present its
5th-Annual International Choro Festival in the City of New York . “Samba-Choro” with a lineup of very talented musicians and a variety of interesting performances.

Join us November 13th!


Chamber Music Concert


MEET THE MUSICIANS!


The Brazilian Music Foundation (BMF) Choro Collective is formed by selected talented musicians, composers and arrangers in choro music today. The BMF Choro basic ensemble instruments include acoustic guitar, flute, saxophone and the pandeiro, a typical percussion instrument from Brazil. The group features local and international musicians with special guests becoming a small orchestra, with more musicians playing instruments like piano, cavaquinho, the 7 string acoustic guitar, clarinet, among others.  This year we are introducing the “Samba-Choro” featuring local musicians and musicians from other cities in the US.



Wednesday, November 13th , 2019

8:00pm
Doors open 7:30pm

at Opera Center America Marc A. Scorca Hall
330 Seventh Ave.
7th Floor – New York City, NY 


Tickets $ 35 –  Door $ 40
Purchase in advance to avoid lines and delays!

(general admission)
Limited space

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PURCHASE TICKETS


About Choro

Brazilian Choro has roots jazz, and is considered Brazil’s first “urban pop” music. There are over 30 different types of rhythms in Brazilian Music. By presenting the diversity of our rhythms, we hope to encourage diverse musicians, music students, adults, and children to engage in creating music with a dynamic communicative style that is energetic, fun, creative, and very inspiring!

Samba-Choro is a musical subgenre that emerged in the 1930s resulting from the fusion of rhythmic elements and the instrumental formation of samba with choro, both musical genres of Brazilian popular music 
 

"Choro is considered a Brazilian cultural heritage".

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By attending one of our concerts you will not only enjoy the best of Brazilian Music but you will also be helping many organizations to remove children off the streets, helping them being socially responsible, and giving them the opportunity for a better life through music.

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Check out videos and photos from previous concerts.

CLICK HERE

    We hope to see you there!

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Facebook Facebook

Website Website

Email Email

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Copyright © *2017*Brazilian Music Foundation.Org* All rights reserved.

Our mailing address is:
2540 Shore Blvd. Suite 3D – Astoria, NY 11102

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BUSTER WILLIAMS DOCUMENTARY PREMIERE IN NYC NOVEMBER 12th

BUSTER WILLIAMS DOCUMENTARY PREMIERE IN NYC NOVEMBER 12th


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October 23, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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Adam Kahan’s feature documentary on bassist, composer and citizen of planet earth Buster Williams, will premiere as part of DOC NYC at New York’s IFC Center on Tuesday November 12th at 7:25PM. The film features not only Buster, but includes Herbie Hancock, Benny Golson, Larry Willis, Rufus Reid, Lenny White, Kenny Barron, Carmen Lundy and Christian McBride.

Tickets and more info HERE

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
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269 State Route 94 South

Warwick, Ny 10990

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Made In New York Jazz Cafe Events This Week / GRAND Opening

Made In New York Jazz Cafe Events This Week / GRAND Opening


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October 16, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

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This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

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269 State Route 94 South

Warwick, Ny 10990

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David Ostwald & the Louis Armstrong Eternity BandBirdland Theater Wednesdays at 5:30PM

David Ostwald & the Louis Armstrong Eternity BandBirdland Theater Wednesdays at 5:30PM


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October 22, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Will’s New York Nite Life

David Ostwald & the Louis Armstrong Eternity Band
Birdland Theater
315 West 44th Street
Wednesdays at 5:30PM

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Tuba player and bandleader David Ostwald – previously best known as the leader of the long-running “Gully Low Jazz Band” (the title also famously inspired by Louis Armstrong) formed this band in 2000 and brought it to Birdland with the intention of celebrating the mighty Armstrong’s centennial – which, as he calculated, would last at least from July 4, 2000 (the great man’s “ceremonial” birthday) to August 4, 2001 (his actual “historical” centennial date). That was the idea, but so far the band has thrived on Wednesday evening for the last eighteen years with no signs of stopping, making it, along with Vince Giordano’s Nighthawks ten blocks uptown at Iguana, the longest-running hot jazz group in town. For two decades now, Mr. Ostwald has gathered the best traditional jazz players available, among them trumpeter Bria Skonberg and Jon-Erik Kellso, reed players Dan Levinson, Victor Goines, Adrian Cunningham, trombonist Jim Fryer, and dozens of others. There’s no better place to be on Wednesdays at 5:30 in New York, especially in that for all this time, the band has remained stringently true to its original mission of playing only tunes from the Louis Armstrong band book – and ending each session with a rafter-raising edition of “Swing That Music.” This, they do.

There are two major reasons for making the scene this Wednesday October 23rd: for one thing, Bria Skonberg, who is constantly on the road and thus doesn’t get to Birdland as often as we would like, will be on the bandstand, just in time to announce her excellent new album, Nothing Never Happens,which features her still-evolving cocktail of jazz (traditional and modern, hot and cool), blues, folk, pop, funk, and whatever (even a song by Sonny Bono. Sonny Bono? Sonny Fudging Bono?! You can’t get more eclectic than that.) Only Bria would think to combine Duke Ellington’s “Black and Tan Fantasy” (which itself “samples” Chopin) and Paul McCartney’s “Blackbird.”  (PS: Ms. Skonberg is headlining with her own band at Jazz Standard in two weeks, from November 1st to 3rd.)
 

The other reason is to celebrate the 90th birthday of the greatest of all jazz historians, scribes, and critics, the redoubtable Dan Morgenstern, who somehow managed to escape Nazi Germany as a teenager and came to the USA to establish new standards of jazz writing and scholarship, as well as to bring the Institute of Jazz Studies (at Rutgers University) to its current heights of greatness. ( Maybe someone will talk him into singing “Gully Low Blues.”)
 

For information and reservations, please click here:

 

Welcome! Please subscribe to our blogs and stay informed about the best things to do in New York City.

If you love the Big Apple, be sure to subscribe for the latest happenings in NYC!

Author: Will Friedwald

Will Friedwald writes about music and popular culture for THE WALL STREET JOURNAL, VANITY FAIR and PLAYBOY magazine and reviews current shows for THE CITIVIEW NEW YORK. He also is the author of nine books, including the award-winning A BIOGRAPHICAL GUIDE TO THE GREAT JAZZ AND POP SINGERS, SINATRA: THE SONG IS YOU, STARDUST MELODIES, TONY BENNETT: THE GOOD LIFE, LOONEY TUNES & MERRIE MELODIES, and JAZZ SINGING. He has written over 600 liner notes for compact discs, received ten Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music.

New Books:

THE GREAT JAZZ AND POP VOCAL ALBUMS (Pantheon Books / Random House, November 2017)

SINATRA: THE SONG IS YOU – NEW REVISED EDITION (Chicago Review Press, May 2018)

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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PLEASE NOTE: IF YOU DO NOT WISH TO BE ON THIS MAILING LIST PLEASE RESPOND WITH ‘REMOVE’ IN THE SUBJECT LINE. IF YOU ARE RECEIVING DUPLICATE EMAILS OUR APOLOGIES, JAZZ PROMO SERVICES ANNOUNCEMENT LIST IS GROWING LARGER EVERY DAY…..PLEASE LET US KNOW AND WE WILL FIX IT IMMEDIATELY!

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269 State Route 94 South

Warwick, Ny 10990

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HOSTOS CENTER PRESENTS HAVANA JAM Friday, November 15, 7:30 PM

HOSTOS CENTER PRESENTS HAVANA JAM Friday, November 15, 7:30 PM


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October 22, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

Press contacts:
John MacElwee – 718-518-6539, jmacelwee@hostos.cuny.edu
Jim Eigo – 845-986-1677, jim@jazzpromoservices.com
HABANA 500: A New York Salute to a Timeless City
Soldanela Rivera: (718) 518-4410 Habana500@hostos.cuny.edu

 


HOSTOS CENTER PRESENTS HAVANA JAM
 
An All-Star Musical Salute,
led by Bassist / Violinist / Composer
Yunior Terry 
Celebrates 500th Anniversary
of the Founding of Havana
 
Performance Featuring 
 
Yunior Terry and Son de Altura
featuring David Oquendo 
 
with special guests Eddy Zervigón,
Gema and Adonis González
 
Friday, November 15, 7:30 pm

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LINK TO HIGH RESOLUTION ARTIST PHOTOS

FOR IMMEDIATE RELEASE

October 21, 2019 (Bronx, NY) – The Hostos Center for the Arts & Culture presents Havana Jam honoring the 500th Anniversary of the Founding of Havana with bassist / violinist / composer Yunior Terry leading his septet Son de Altura featuring vocalist David Oquendo and special guests – Cuban song stylist Gema, Charanga flutist Eddy Zervigón, of Orquesta Broadway, and classical pianist Adonis González, on Friday, November 15, 7:30 PM in the Repertory Theater at Hostos Community College, 450 Grand Concourse at 149th Street in the Bronx. The concert is the closing event of “LA HABANA 500A New York Salute to a Timeless City,” a series of events (Nov. 12 through 15), including seminars and walking tours presented by three CUNY Colleges – Hostos Community College, John Jay College of Criminal Justice, and The City College of New York— in collaboration with the School of Visual Arts. Tickets for “Havana Jam” are $25, $20 for Seniors and $5 for students and are available at www.hostoscenter.org or by calling (718) 518-4455. Box office window hours are Monday through Friday, 1:00 p.m. to 4:00 p.m., and two hours prior to performance. 

For event information on “LA HABANA 500: A New York Salute to a Timeless City,” call (718)- 518-4410 or email Habana500@hostos.cuny.edu

“We are going to celebrate Havana’s 500 years with a mosaic of musical traditions that will take the audience on a journey through time,” says Yunior Terry. “Havana has been a city of inspiration for countless artists throughout history, and deserves a musical program that captures the glorious past and the sounds of today.  From 1519, when Havana was founded, many cultural exchanges – from Indigenous, Spanish, African, Haitian, Chinese, other European, to American – have contributed to crystalizing the sounds of Cuba.”

Terry continues, “I will be performing with my band Son de Altura, a project that pays tribute to the vast legacy of popular Cuban dance music. Among the all-star line-up of the band is the esteemed vocalist David Oquendo, renowned for his collaborations with some of the legends of Cuban music including Elena Burke and Chico O’Farrill. In addition, we will feature three guest artists who will represent historically significant Cuban musical genres.”

“Classical music is very important to our culture which is why we are having the great Cuban classical pianist Adonis González perform Ignacio Cervantes (1847 – 1905), Cuba’s leading composer of the 19th century, as well as Ernesto Lecuona (1895-1963), who combined classical influences with folk elements, much like Gershwin.”

“Stunning contemporary vocalist, Gema Corredera, will be performing a selection of Boleros from the 1920’s through to today, paying tribute to the Cuban tradition of Trovadores and the songs of love.”

“Also joining Son de Altura in our tribute to popular Cuban dance music like Danzón, Son, and Cha Cha Cha, will be Eddy Zervigón, one of the greatest living Charanga flutists in the world today. Since his arrival in New York City in 1962, Zervigón has been the leader of the legendary Charanga Orquesta Broadway, and we are honored to have him join our program.

“It is going to be a wonderful concert and an important way to honor the longevity of Havana on its 500th anniversary.”

Support for Hostos Center programs is provided by the Eugenio María de Hostos Community College Foundation, with public funds from the New York City Department of Cultural Affairs, the New York State Council on the Arts, the Howard Gilman Foundation, New York City Councilmember Rafael Salamanca, and the Office of New York State Assemblyman José Rivera.
 
ARTIST BIOGRAPHIES
Born in Camagüey, Cuba, bassist, violinist, and composer Yunior Terry is part of one of Cuba’s most gifted musical families. Following his father and two older brothers Yosvany and Yoel, he began his musical training at the age of seven. He grew up surrounded by the music of Afro-Cuban religious traditions and learned to play the chekeré from his father Don Pancho, the undisputed master of the instrument. Yunior graduated from the prestigious National School of Art (ENA) with a double major in bass and violin. While in Cuba, he played violin with the Cuban National Symphony and bass with folkloric and Latin jazz groups.  He holds a B.A. from CalArts, and an M.A. from Rutgers University. Since moving to NYC, he has deepened his understanding of Jazz traditions through performing with Steve Coleman, Jerry González and the Fort Apache Band, Jeff “Tain” Watts, Dafnis Prieto, Eddie Palmieri, Gonzalo Rubalcaba, Michele Rosewoman, Andy Narell, Ravi Coltrane, and Yosvany Terry. He was part of the Latin Jazz All Stars project with Dave Valentín, Giovanni Hidalgo, Hilton Ruíz, Steve Turre, and Mario Rivera. With his septet, Son de Altura, he released his debut CD Mi Bajo Danzón in 2012.

At age seven, Gema Corredera debuted at the Hubert de Blanck Theater in Havana, as part of the Children’s Musical Workshop of Teatro Estudio.  She graduated from Cuba’s Escuela Nacional de Música (the National School of Music) having studied classical guitar.  Soon after, she entered the Instituto Superior de Arte de La Habana (ISA), where she focused on contemporary Cuban composition, folkloric Cuban music (especially rumba) and classical composers.  As a young adult, she met composer and guitarist Pavel Urquiza, with whom she formed the duo Gema y Pavel.  In 1992 they both moved to Madrid, where they were able to create a new style of Cuban urban music influenced as much by The Beatles as by la Nueva Trova, Chick Corea, the Brazilian Caetano Veloso and the Argentinian Fito Páez. In 2011, after many years as a duo and with a dozen record productions, Gema y Pavel decided to focus on their solo projects, including Gema’s Derramando Luz, which features Yosvany Terry. In Feeling Marta, she celebrates the musical work of the renown Cuban composer Marta Valdés, which won her a 2016 Cubadisco prize.  
 
Adonis González graduated with honors from the Superior Institute of Art of Havana, holds a Master of Music Degree from the University of Southern Mississippi, and a Doctoral Degree in Piano Performance from Mason Gross School of the Arts at Rutgers University. He also took courses in Orchestral Conducting at The Juilliard School in New York City and is an accomplished composer. His Symphonic Poem for Piano and Orchestra ‘Cimarrón’ was premiered by the National Symphony of Costa Rica.   He is currently an Artist in Residence of the Cuban Artist Fund in New York and a Professor of Music at Alabama State University. González won the First Prize of the Teresa Carreño International Piano Competition in Caracas, Venezuela and the First Prize of the most important Cuban piano competition organized by the National Association of Cuban Writers and Artists (UNEAC). He is also a laureate of the International Piano Competition of the Principality of Andorra and the Ernesto Lecuona International Competition of Havana. He was nominated for a Latin Grammy for Best Classical Album for his solo debut Adiós a Cuba

Eddy Zervigón, the flautist and founding leader of Orquesta Broadway plays a 5 keyed wooden flute commonly referred to as the ‘French flute.’ He was born in Güines, a Cuban town located nearly 30 miles southeast of Havana. In 1962, he and his brothers left Cuba for Miami where they spent a few months before coming to New York. Upon his arrival in the city, Zervigón worked in the bands of Lou Pérez, Johnny Pacheco, Alfredo Valdés Sr. and Arsenio Rodríguez   He has been featured in countless recordings by a very diverse group of artists. Zervigón was also featured for many years as a guest soloist with Manny Oquendo’s Libre and pianist Eddie Palmieri’s group. In 1964, he founded his own Charanga group, Orquesta Broadway, which has made many recordings and toured all over the world. Orquesta Broadway celebrated its 40th anniversary in 2002 with a well-received recording of the same name and its 50th anniversary, in 2012, with a spectacular concert at Lincoln Center Out of Doors.

David Oquendo was born in Havana, Cuba in 1958.  Self-taught, Oquendo absorbed the essence of the Afro Cuban rhythmical vernacular in the poorest neighborhoods of his native city.  At 12 years of age, David started playing guitar and singing in several “Rock” bands around Cuba.  Even though he was not conservatory trained, his passion for music, his discipline and self-criticism, took him to the point where eventually he was considered one of the best guitar accompanist in Cuba.  As accompanist, Oquendo has worked with artists of the caliber of: Moraima Secada, Elena Burke, Lucho Gatica, Meme Solis, Maggie Carles, Lenny Andrade, and many others.  Oquendo was musical director and producer for “The Cuban Rumba All Stars,” a first time, historical collaboration by members of Cuba’s Rumba groups:  Los Muñequitos de Matanzas, Yoruba Andabo, Clave y Guaguanco, Obba ILU, Coro Folklórico Cubano, Raices Profundas y Grupo Tata Güines. Oquendo has a Grammy Award for the album Tropicana Nights with Paquito D’Rivera, a Grammy Nomination for Bebop Timba with Raphael Cruz and three Latin Grammy Nominations for Raices Habaneras50 Years of Mambo and Paquito D’Rivera Presents Las Hermanas Márquez.
 
About the Hostos Center for the Arts & Culture
 An integral part of Hostos Community College / CUNY since 1982, the Hostos Center for the Arts & Culture, which includes two state-of- the-art theaters of 900 and 367 seats each, a black box experimental theater, and a museum-grade art gallery, is a resource for students and faculty in addition to serving the cultural needs of South Bronx residents and neighboring communities. Recognized nationally as a leader in Latin and African-based programming, the Hostos Center creates performing and visual arts forums in which the diverse cultural heritages of its audiences are celebrated and cultivated. In meeting that objective, the Center is dedicated to the development of emerging artists and the creation of new work. 

What:   “Havana Jam” with Yunior Terry and Son de Altura featuring David Oquendo  
             with special guests Eddy Zervigón, Gema and Adonis González
 
When:  Friday, November 15, 7:30 PM
 
Where:  Repertory Theater
Hostos Center for the Arts and Culture
Hostos Community College 
450 Grand Concourse
Bronx, NY 10451
 
Pricing: $25 ($20 for seniors 65 and over), ($5 Students)  
 
Box Office:718-518-4455
 
Website: www.hostoscenter.org
 
Ticket Window:  Mon. – Fri.   1 PM to 4 PM and 2 hours prior to events.
 
Subway/Bus:    IRT Trains 2, 4, 5 and Buses BX1, BX2, BX19 to 149th Street/Grand Concourse.
 
 

This E Mail is being sent by:
 
Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677
E-Mail:
 jim@jazzpromoservices.com
 Web Site: www.jazzpromoservices.com/
 
HAVE A JAZZ EVENT, NEW CD OR IMPORTANT ANNOUNCEMENT FOR THE JAZZ COMMUNITY YOU WANT TO PROMOTE? CONTACT JAZZ PROMO SERVICES FOR PRICE QUOTE.
 
CHECK OUT OUR NEW YOUTUBE VIDEO
HERE

 


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269 State Route 94 South

Warwick, Ny 10990

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ROGER KELLAWAY Celebrating his 80th Birthday! at THE BIRDLAND THEATER, Fri. & Sat. Nov. 15 & 16, 2019

ROGER KELLAWAY Celebrating his 80th Birthday! at THE BIRDLAND THEATER, Fri. & Sat. Nov. 15 & 16, 2019


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October 22, 2019

To: Listings/Critics/Features
From: Jazz Promo Services
www.jazzpromoservices.com

ROGER KELLAWAY 
Celebrating his 80th Birthday!
THE BIRDLAND THEATER
Nov. 15 & 16, 2019

“Journey with me through the melodies of my life”
 
With Roni Ben-Hur on Guitar & Jay Leonhart on Bass
Plus special surprise guests!
 
Birdland Theater
Tickets & Info

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FROM ARCHIE BUNKER TO CARNEGIE HALL
At 80, Musical Polymath Roger Kellaway Returns to His Roots
at the “Jazz Corner of the World”
 
There’s nobody quite like Roger Kellaway.  In a career that has stretched over the last 60 years, while performing with many of the legendary jazz musicians of his time he has also written memorable film and television scores, composed classical works for major symphony orchestras, inspired what came to be known as “new age” music, and provided essential accompaniment and musical direction for iconic figures of American popular music like Elvis Presley, Barbra Streisand, Bobby Darin, Tony Bennett, Van Morrison and Joni Mitchell.  Although Kellaway’s soundtrack for the Streisand film “A Star is Born” received an Oscar nomination, and his compositions have been performed at Carnegie Hall and elsewhere by the likes of the New York Philharmonic, Los Angeles Philharmonic, and National Symphony orchestras, he still may be most widely recognized for the closing theme (“Remembering You”) of the 1970s mega-hit TV series, All in The Family. 
 
Kellaway chose to celebrate his 80th birthday in November at New York’s Birdland, historically known as the “Jazz Corner of the World,” to engage his abiding passion for straight-ahead, uncompromising and above-all-else swinging jazz, performing with a “drummerless” trio in the tradition of Art Tatum, Nat Cole, and Oscar Peterson.   The celebration marks the return of one of the very few remaining figures from the “golden age” of modern jazz to the iconic jazz club where he first performed almost 60 years ago.  IPO Recordings is recognizing the event with a new album aptly titled “The Many Open Minds of Roger Kellaway.” 
 
Kellaway’s rich and varied career in music reflects his philosophy that: “the idea that anything can go with anything is very appealing to me, and music has taught me that the options are infinite.”  As he says, “many different kinds of music interest me, and how to make them all. You know: how do they all work?  I was always curious about that. I was always curious, and I still am, about every single player that I play with.   You know, it always occurs to me that there’s a music lesson in every player that you play with.     You just have to listen and sort of figure out how to accompany them and make the most music together.”    He looked back on those lessons in a recent interview:
 
You had a long and close association with Bobby Darin…
 
I learned my stage timing from Bobby Darin and Jack E. Leonard [the comedian who provided Kellaway’s first paying gig].

What are the secrets of stage timing?   
 
[laughs]  Nobody’s ever asked me that question before! I don’t know what they are. It’s a relationship… Okay, here’s one: when you finish a tune, and the audience is applauding, you must start the next tune before the applause is finished.  If you wait until the applause is finished, the show is dead.   
 
You don’t want to hit that dead spot, you want to keep everything alive. You want to ride that energy.   You know, Bobby brought a particular kind of energy to the stage and you want that to stay there throughout the whole show.    
 
Did he look to you to communicate [that energy] to everyone on the bandstand?
 
Yes, yes, but it wasn’t talked about.   It was just… just do it.
 
I was intrigued that you had written the score for the Streisand film “Star is Born.”  What was that experience like?
 
Well, do you remember EST?  I had just finished EST, I was having a conversation with Barbra and Jon Peters, her husband at the time, about that.  And Barbra said to me, “Well, you know, we’re shrink people.”  That was her answer.
 
But the thing about EST was, I didn’t have to take anything personally, and of course, you know, Barbra’s reputation precedes her in terms of perfection and changing your mind and all kinds of stuff.
 
There was one particular piece of music [of mine] that she liked, and I included some of that music in the first piece that I wrote for the orchestra.   And I went into the booth. She was playing it back.    And she turned to me and said “Why did you write that?”
 
I wrote it because I thought it fit the film. And I thought she’d be knocked out because it had to do somewhat with that piece of music that I knew she liked.  Anyway, I went home and stayed up rewriting half of that first piece of music, until about three in the morning and then it had to go to the copyist because at nine I had to conduct that.  And she accepted that one.
 
Later on, I was talking with pianist/conductor Marvin Hamlisch.   He wrote a lot of charts for her.  He said, “You know, you have to get used to writing three charts on every single song.   The first chart she’ll hate.  The second chart, she might like a little bit.  And then the third chart she’ll probably like.”
 
We look at this as “That’s her process.”   But she’s brilliant.
 
You’ve worked with another famously perfectionist artist: Sarah Vaughan.
 
Well, Sassy was very friendly to me. I just, I enjoyed that.   I did a movie with her; she was very pleasant and very musical.   This movie was a CBS movie of the week, and we recorded that with just a small group:  me on piano, Chuck Domanico on bass, and Shelly Manne on drums.  
 
And Sassy was in many moments, you know, what are called playoffs or “play ons.”  At the end of the TV segment, the button that you make is called the playoffs and then as the next team comes on you usually play Intro music and that’s, you know, playing the scene on.   She was asked to look at the chord changes and improvise, and that was fun.  So her part included improvising and doing the main song which was called “The Days Have No Names,” and the lyric was written by Gene Lees.   It was very enjoyable.
 
I was intrigued by the connection to Elvis — when did that come about?
 
Well, Elvis was ‘68 or ‘69.  And I was merely hired as a piano player to play a double session at Universal I didn’t know it was for Elvis.    I walked in and there he was.    We were doing the soundtrack for his last movie, “Change of Habit.”
 
And we spent the whole day together.  It was just wonderful.  There is a CD. It’s on RCA; it’s called “Let’s Be Friends.”   At that session, he was joking around about the fact that, you know, we all had long hair and ankhs and stuff.   He was talking about his early years, and all the gyrations and everything on stage. That is not the personality that I met.  The guy I met was a real gentleman: good sense of humor, just a really nice guy.  I always liked his ballad sound.
 
The fact that I spent one day with him has followed me all my life. And I really enjoyed that.   You know, that I got to touch him, and I got to play with – accompany him — and it was really nice.
 
Tony Bennett?
 
I love Tony Bennett.   I did 10 concerts with him in 2005.  
 
We’re at our second gig.   The first gig was in Toronto, and then we took a G3 [Gulfstream 12-seater] to Cincinnati or wherever it was.  [Next morning] The road manager calls me and says “Mr. Bennett would like to see you at one o’clock” – at the piano, on the stage.   So I meet him at one o’clock, and he says, “Don’t overplay me.”   I said, “Okay.”  Then he turns around and walks away.   That’s all it was about, but a very, very important lesson for me on how to accompany him.
 
What led you to Paul McCartney’s music, in particular?    
 
I was not a fan, when the Beatles first came along, because, obviously, the music industry was changing… it [pop music] just simply left jazz behind. 
 
So, I didn’t pay any attention to Paul for a long, long time.   And then I started working with this entrepreneur Dennis Domico.  He had had some contact with Linda [McCartney] and her Breast Cancer Research Foundation, and he wanted to do all-McCartney concerts – beginning to end, all Paul’s music.
 
His feeling about doing a McCartney song was he would only do songs where Paul wrote 85 percent or more.  He had hired a pianist for one concert: Peter Beets from Holland.  So I started thinking about two pianos, and the first thing that came to mind was “Yesterday” at a very fast 4/4, two pianos, bass and drums —  and that’s how the whole “Many Moods of McCartney” piece started.
 
I spent a good portion of six years .. reviewing his music, and really beginning to realize what a brilliant songwriter he is.
 
In order to do something like what you did with “Yesterday,” a melody has to be strong enough to have that kind of resilience. 
 
Yeah, that’s right. Absolutely.   And all of his songs did not work.  Many of them did not work for me, but there were quite a few : “When I’m 64” and “Honey Pie,” many songs that are sort of old English musical theater – with almost kind of a two-beat feel, which I could move into a jazz concept.
 
The kind of songs people [in a theater] would sing along to in Second World War era music halls…
 
Yes; I think that’s what Paul grew up on.  When you look at the forms of his songs, they’re very strong.
 
You once said you felt that you had been making music in previous lives.  What would lead you toward that state of mind?
 
Well, I had been reading a lot of mysticism, and a lot of different concepts of psychics that were doing interviews with people that they would hypnotize, and they would take them to past lives; you read in the book, what their experience was all about and it’s a curiosity, along with all of my other curiosity about everything else… It’s wanting to get a glimpse of what is possibly like on the other side of the veil.  And the veil is what closes over when we’re born on earth.   So I was very intrigued by that. 
 
So, I was looking at people who played.  And some people who didn’t have the technique that I had or the overall music perception that I have — and I looked at it as the possibility that I had been doing it for hundreds of years.
 
 
“The Many Open Minds of Roger Kellaway” is a live recording of a Kellaway trio performing jazz standards similarly to his Birdland program.   IPO Recordings is a tiny, independent label that has focused on musicians, like Kellaway, with roots in the first generation of classic modern jazz, including iconic players like James Moody, Hank Jones, Frank Wess, Benny Golson, Roland Hanna, Richard Davis and others who came up during the golden age of jazz that followed World War II.  While great musicians from that period were marginalized by the recording industry in later years, IPO continued to provide a forum for them to play on their own terms, without pretense and contrivances, collaborating with their contemporaries and talented next generation players.  The IPO catalog includes, in addition to a number of albums by Kellaway, entries like the first – and only – recordings together by Moody and Hank Jones; Moody and Kenny Barron revisiting their historic quartet collaborations, including the Grammy winning “Moody 4B” album; the final sessions by Frank Wess, with some astonishingly beautiful duet ballads with Barron; stunning solo piano recitals by Sir Roland Hanna; and group sessions with all of those musicians, along with luminaries like Benny Golson, Eddie Daniels, Richard Davis, Bob Brookmeyer, Jimmy Owens and Mickey Roker, performing tributes to composers Thad Jones and Tom McIntosh.  Legendary critic and author Nat Hentoff described IPO’s first Thad Jones tribute album, called “One More – Music of Thad Jones,” as “the perfect jazz recording.”
 
Over the last half century, Kellaway has:
 
·       Performed and recorded with many of the legendary jazz musicians of his time, bridging all variety of instrumentation and styles, a seemingly endless list that runs from Duke Ellington through Sonny Rollins and beyond.
 
·       Inspired what came to be known as “New Age” music through his “Cello Quartet” albums. 
 
·       Composed a variety of works under commission for the New York Philharmonic, Los Angeles Philharmonic, National Symphony, New American Orchestra, New York City Ballet, as well as chamber works performed at Carnegie Hall.   He has a special affinity for 12-tone serial composition, which he studied in depth with Arnold Schoenberg’s protégé,  George Tremblay.
 
·       Written jazz “improvisations” performed by classical musicians such as YoYo Ma, Nadja Salerno-Sonnenberg and pianist Jean-Yves Thibaudet, who recorded Kellaway’s serialist version of Caravan in an Ellington tribute album.
 
·       Written 29 film scores, including the academy award nominated score for Streisand’s “A Star is Born” (or, if you prefer, “Jaws of Satan” – https://www.youtube.com/watch?v=VIRUm4fgbVc&t=143s). 

The remarkable pianist/composer will be in typically inspired and inventive form during his two special nights at the Birdland Theater November 15 & 16.

For more information about the historic engagement  www.birdlandjazz.com and www.rogerkellaway.com

Roger Kellaway The Many Open Minds of Roger Kellaway
(IPO Recordings IPOC1026S) Street Date: November 1, 2019

Roger Kellaway-piano, Bruce Forman-guitar, Dan Lutz – bass

Recorded Live at The Jazz Bakery
https://iporecordings.com/inner.php?pageid=1535

Listen on 


 

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